By Jason Apuzzo. • If you needed any more evidence that the 80s are back in a big way, word comes this week that Top Gun is being retrofit into 3D and should hit theaters in 2012. This is big news because so far as I’m aware it represents the first time a ‘library’ film title not made by James Cameron (Titanic) or George Lucas (the Star Wars saga) is being converted into 3D for theatrical release. If Top Gun 3D performs well, expect more such conversions down the line and a lot of classic film titles coming back to your local theaters – a very welcome development, in my opinion. It’s certainly better than paying $15 to watch a stereoscopic version of Green Lantern.
But lets talk Maverick. Regular LFM readers know how highly I think of Top Gun, a signature film from my youth – not to mention a watershed moment in my relationship with aviator sunglasses. Why did people of my generation love that film so much? Was it the appeal of being a hot-shot jet pilot? Was it the beach volleyball? The Kawasakis? The girls? Sunsets in San Diego? Maybe it was Iceman’s sweet flat-top haircut. Or Tom Skerritt chewing out Tom Cruise, slyly motiving him by implying he wasn’t as committed as his father. Maybe it was Cruise’s great line about flying “inverted,” or the angry bald guy in the flight-ops center barking, “Damnit, Maverick!” every five minutes.
Whatever it was, Top Gun was the movie from the 80s that romanticized American military life – and did so without having to demonize any particular enemy nation. It was a film that hit the sweet spot, made a dull teenage summer exciting, and incidentally launched Tom Cruise’s career. How good was Top Gun? I personally have a friend whom I strongly suspect was pulled into a career in Naval aviation – not to mention beach volleyball – at least in part due to this film. And who could blame him? Top Gun paints an appealing, glamorous picture of serving your country. I’ll definitely be first in line when Top Gun 3D arrives next year. [Btw, whatever happened to Berlin?]
• A slew of Cold War-related films are suddenly in development right now. One of the ones I’m most excited about is something called Hunter Killer, which may end up starring Gerard Butler and was originally supposed be directed by Phillip Noyce (Salt). Here’s how JoBlo describes it:
HUNTER KILLER, based on the book “Firing Point,” follows an untested submarine captain who must work with a Navy SEAL team to rescue the Russian president, who has been taken prisoner during a military coup, in an effort to stop a rogue Russian General from igniting World War III.
There seem to be a lot of ‘rogue Russian generals’ in the movies these days, all trying to re-ignite the Cold War. Wasn’t there one in X-Men: First Class? And Salt? If Putin’s the Alpha Dog he pretends to be, he really should put the kabosh on these people. In any case, even without a director or star, Hunter Killer is apparently hot enough to have a release date of Dec. 21st, 2012.
• Even though it doesn’t open until Dec. 9th, a major marketing push is being made for the new adaptation of John Le Carré’s Tinker, Tailor, Soldier, Spy. I’m not a Le Carré fan (as for espionage novels, I’m more of an Eric Ambler man), but a dark, cerebral little Cold War spy thriller? With a superb British cast? After a summer of idiotic, deafening comic book movies, that’s sounding quite appealing. Besides, now that Gary Oldman is more or less done taking checks for Harry Potter and the Batman films, perhaps he can return to actual acting. Read about Tinker here, see new posters for the film (here and here) and a new featurette; John Le Carré will be making a cameo in the film; the film also has three new trailers (here, here and here), and here’s a clip from the film.
• Another project I’m excited about is something called Red Star that was picked up this summer by Warner Brothers for producer Neil Moritz (Battle: Los Angeles). The project is based on a comic series by Christian Gossett, and according to THR the story is “set in an alternate USSR where futuristic technology and magical elements co-exist. The main character is a soldier in the Red Fleet and his wife, who become keys to defeating a former brutal ruler and his minions.”
This would certainly have to be an alternate USSR, if ‘futuristic technology’ is involved. I still remember driving in a Russian Lada sedan on a trip to Moscow as a teenager, and my spine still hasn’t recovered. In any case, Timur Bekmambetov was previously attached to this project when it was at Universal – we’ll see if he stays with it at Warners …
• Some other promising new projects on the horizon include a $100 million Korean war-era epic called 1950, to be directed by Rob Cohen (The Fast and the Furious). The story follows a journalist who travels across the Korean peninsula with a platoon of Marines in the midst of a mass, Christmas Eve evacuation of 200,000 South Koreans escaping the oncoming Chinese communist and North Korean armies. Also: a new anti-communist drama called Closer to the Moon is being made starring Game of Thrones’ Harry Lloyd; the Cold War sci-fi classic Colossus: The Forbin Project is getting a remake … but the best news by far is that we may get a Danger Girl movie starring Milla Jovovich, Sofia Vergara and Kate Beckinsale! Do I believe these rumors? I’m not sure I do, but I can’t begin to describe what a great idea this would be. If you’re not familiar with Danger Girl, it’s a comic book series about a trio of impossibly curvaceous female spies sent on missions to retrieve mystic relics also sought after by a powerful international crime syndicate. Think Charlie’s Angels by way of Indiana Jones and James Bond. The stories are a lot of fun, inventive, playfully sexy, and it’s easy to imagine something like this working much better than even Angelina Jolie’s Tomb Raider films did. And since Sofia Vergara’s name is being thrown around, here’s hoping they do it in 3D.
• Some fabulous news of late is that Steven Soderbergh’s Man from U.N.C.L.E. movie will be set in the 1960s, and won’t feature George Clooney! Hooray! Is Michael Fassbender available?
• Die Hard 5 has a new director, and the film may take place in Russia. Does anybody still care about Die Hard? Please tell me if you do below, along with why.
• Speaking of Tom Cruise, Mission-Impossible: Ghost Protocol is rattling its way down the tracks. The film is now set to debut on Dec. 21st, there is a new poster out, along with new promo images (see here and here), and producer J.J. Abrams has been talking up the film’s stunts and the scale of the film in IMAX. I think MI4 actually had the best trailer of the summer, and the film opens with no less than the destruction of Red Square – not a bad way to grab your attention. I’m looking forward to this one, although this series hasn’t always worked before …
• Another Cold War project coming our way shortly is the Clint Eastwood/Leonardo DiCaprio biopic, J. Edgar. (See my J. Edgar script review here.) J. Edgar will be opening at the AFI Fest on Nov. 3rd, before its wide release on Nov. 9th. Eastwood and DiCaprio have finally started to talk about the project (see here), and this Entertainment Weekly article provides a fairly accurate sense of what to expect from the film, based on my reading of the screenplay. My expectation, frankly, is that J. Edgar is going to be dry, episodic, and generally center-left in its politics. Beyond that, I really wish Clint still made fun films rather than history lessons [sigh].
• On the Cold War ring-a-ding-ding front, NBC’s The Playboy Club (Sept. 19th) and ABC’s Pan Am (Sept. 25th) are soon set to debut, with predictable controversies emerging. Poor Gloria Steinem wants viewers to boycott The Playboy Club (she’d have better luck boycotting Michael Vick), and so does an organization called the ‘Parents Television Council.’ With respect to this ‘controversy,’ though, it really seems like people are just going through the motions here. Everybody knows that the sexuality The Playboy Club will be peddling is tame and quaint compared to what’s available everywhere on the internet, cable, or even on newstands. That doesn’t mean that anyone should be taken in by the blather coming from NBC’s producers that being a Playboy Bunny back in the day was ‘empowering’ – unless you grow carrots, there’s nothing ‘empowering’ for a woman about dressing like a rabbit – but nor does it mean that this show is returning us to Sodom & Gomorrah. After all, would you rather catch 5 minutes of The Playboy Club … or Jersey Shore? The Playboy Club will probably feature passable jazz, stylish retro-chic clothing, and a dash of Chicago mob history. Or you can watch Snooki and JWoww talk breast implants. You make the call. And while you’re doing that, catch this interview with Playboy Club star Amber Heard.
As for Pan Am (which has an espionage element in its storyline), there’s some recent casting news, a new interview with star Christina Ricci, and Pan Am‘s producers (much like the Playboy Club produers) are claiming that their show is actually not a Mad Men ripoff. Sure. [We have Christina Hendricks to thank for all this.]
• I continue to worry about what Daniel Craig and director Sam Mendes have in store for us with Bond 23; I have the sinking feeling that Bond 23 is going to be what we have to sit through before a better team takes charge of this series. In any case, there’s been a lot of minor news about the film lately: it seems that Jeffrey Wright will not be returning as Felix Leiter, Ben Whishaw and Rhys Ifans will apparently be joining the cast, and after some permit troubles the film will be shooting in India, after all. There’s also a new Bond video game out (GoldenEye 007: Reloaded), and there’s a rumor that Bond 23 will be based on Jeffery Deaver’s new Bond novel Carte Blanche, although I don’t believe that (it would require too much re-inventing of the character). We’ll continue to cross our fingers about this film, and hope that my sixth sense is wrong …
• In other Cold War News & Notes: Renny Harlin talks here and here about his new film 5 Days of War (see Joe Bendel’s LFM review); The Iron Lady is looking like a very ugly hit job on Margaret Thatcher; NASA apparently avoided working with the Apollo 18 filmmakers (see my review of the film), and you can see clips of the film here; watch this sexy (and amusing) deleted scene from X-Men: First Class, which is newly out on Blu-ray, and also catch this interview with the film’s screenwriters; Sam Worthington talks about The Debt (read Joe Bendel’s LFM review), and you can see clips of the film here; the first image is out of the Aaron Eckhart CIA spy thriller The Expatriate; The Darkest Hour has a new motion poster out, and you can read a new interview with the filmmakers, and also check out this set visit and some production art; and Jonathan Demme will be making the new JFK-related movie based on Stephen King’s novel, 11/22/63.
• AND IN TODAY’S MOST IMPORTANT NEWS … easily my favorite film of the summer, Transformers: Dark of the Moon, will be out on Blu-ray/DVD September 30th, and in the meantime photographer Robert Zuckerman has just released a marvelous gallery of behind-the-scenes production stills from that film, including the one above of Rosie Huntington-Whiteley. So be sure to check those out …
And that’s what’s happening today in the Cold War!
Posted on September 14th, 2011 at 8:47pm.
Awesome update, Jason. You’re right about everything you said about “Top Gun” — it is definitely THE ’80s film. I would also add that there’s just enough of a real-world scenerio to give the film weight. Air superiority in that region was certainly a big deal in those days.
I had no idea a “Danger Girl” film was possibly in the works. The ladies you listed area absolutely perfect, too.
But, for some reason, the project that’s really got my attention is “The Expatriate,” which has a lot of potential. It actually sounds like something I’ve been brainstorming — I HATE it when that happens.
And speaking of Steven Soderbergh, did you see the trailer for “Haywire”? It has the amazing Gina Carano, and co-stars Michael Fassbender.
Thanks, Vince! I really appreciate it.
• Can you imagine how great Danger Girl might be? Good Lord I hope that rumor’s true. I’d definitely want to know who was writing and directing that, of course.
• Yes, I did see the Haywire trailer, and frankly I found it a bit over the top. It seemed to feature one major male star after the other getting their teeth kicked in by Carano, and while I don’t normally mind this sort of thing – I thought it worked in Salt, for example – for some reason with Haywire it seemed too improbable.
• As far as The Expatriate goes, do you think real-world spies would ever look as good as Aaron Eckhart and Olga Kurylenko? My goodness.
I agree with you on the “Haywire” trailer, but I didn’t mind it too much because I’m pretty sure Carano could actually do some of those things to those guys.
Great call on “The Expatriate” too. I don’t know of anyone looks like Olga.
It’s amazing how many stars they wrangled together just to do a Gina Carano film – I had no idea she was that popular …
Top Gun 3D: If Lucas gets to revise Star Wars, and they’re going to 3D this movie, then they should also use CGI to change the badly camouflaged F-5s the bad guys fly into Mig-29s. This is just the kind of movie you love if you’re an aviation buff and it would be ultra cool to have the equipment “true to life”.
The “Red Star” comic was a very interesting exercise in Soviet propaganda art chic, but I kind of wonder if it’s a great idea for a big movie when you’ve got honest to Lenin communists working as “Czars” in your government. I think the last thing we need right now is a socialist religious revival.
Poor Gloria Steinem wants viewers to boycott The Playboy Club ….. and so does an organization called the ‘Parents Television Council.’
The producers must have paid them a bundle – you can’t get better advertising.
.. there’s nothing ‘empowering’ for a woman about dressing like a rabbit
Hey, It worked for Gloria Steinem. “Playboy Bunny” was an excellent job reference in the entertainment world and a ticket to “marrying up” – for those looking for the well heeled “donkey”. Not to mention that judged against what young females tend to willingly dress like at anime and comics cons now, the bunny outfit was positively demure.
• You know, buried somewhere in one of those articles I linked to was mention that Barbara Walters, Lauren Hutton, Deborah Harry and some other women had been Bunnies. I don’t doubt that it helped them, and it certainly was better than being, say, a groupie for some rock band, or working at Hooters. I’m just tired of T&A spectacles being spun as ’empowering.’
• I doubt they’ll do tinkering on Top Gun, but I agree with you that it was quite obvious those plans weren’t MiGs …
Jason, I understand your distaste John LeCarre novels as a whole (the morally compromised and broodingly relativistic spy thing was was an invention we could do without), but you have to love the first Tinker Tailor, right? Right?
Alec Guinness in six hours of anti-commie glory! Hell, Guinness’ George Smiley is so good, it helps me sleep at night. Of course, that’s not even to speak of the follow-up, “Smiley’s People”.
In both these BBC productions LeCarre’s relativism seems to have been muted, if not vanished entirely. If you haven’t seen one or both, they are well worth your time!
Yes, yes, of course – Guinness was superb, although my recollections of that series are a bit hazy. I remember catching the Guinness version on VHS, but not making it all the way through. I’m eager to revisit the story through this new film.
Both are, of course, available on Netflix DVD. Both are very anti-commie, but the second one, Smiley’s People, is VERY anti-commie. It takes place after George has officially retired and time has moved on. It plainly opines about the decent of modern culture in the West and the perverse evils of communism.
Thanks much, MM, and I’ll definitely put them on my list …
Gee, I hope the 3D conversion will help to make clear of the homoerotic undertones of Top Gun.
http://www.youtube.com/watch?v=vyN8VN4BSzM
http://blip.tv/film-brain/5-second-movies-top-gun-1796341
Tarantino cracks me up. Some of those riffs of his are actually better than his films, you know? He must be great to have at parties.
Wouldn’t a faithfull adaptation of Danger Girl require every major female role to be played by the same actress, in order to be true to J. Scott Campbell’s artwork? Anyway, they shouldn’t make the movie at all unless they can convince Sean Connery to come out of retirement to play Deuce.
You certainly are a purist, JIC …