New Film Please Remove Your Shoes Asks: Are We Really Safe From Terrorists?

By Jason Apuzzo. The Wall Street Journal’s Speakeasy blog reports today on a new documentary called Please Remove Your Shoes, about the troubled state of the Transportation Security Agency (TSA).

Please Remove Your Shoes follows the efforts of six whistleblower employees trying to fix what has obviously become – particularly in the wake of the Christmas bomber episode – an increasingly porous security situation at our nation’s airports.

According to the film’s website, the documentaryexamines the period before 911 and the current situation nine years later and asks the questions that makes Washington squirm: ‘Are we really any better for all our money spent? Or is it safe to say that nothing has changed?'”

The driving force behind the project is retired pilot Fred Gevalt, who was himself flying a plane into New York on the morning of 9/11 – and was apparently 20 miles out of LaGuardia airport when the attack took place.

According to Speakeasy:

The final production, which Gevalt is self distributing July 1, asks viewers to evaluate if the TSA has truly made flying the friendly skies any safer post 9/11, and features interviews with Congressmen James Oberstar and John Mica (both of whom are on the Committee of Transportation and Infrastructure), as well as a number of former TSA and FAA employees. Gevalt adds that it wasn’t easy finding enough subjects to speak about their relationship with the TSA on the record, but as one interview beget another, “the business of access became less difficult.”

Does this make us safer?

In a review of the film by Manhattan Movie Magazine, Lita Robinson writes: “Through extensive interviews with ex-Air Marshals, government officials and reporters, this documentary examines the advent of the Transportation Safety Administration (TSA) in the wake of 9/11, painting a disturbing picture of waste, inefficiency, and abuse of power.  The former Marshals, several of whom have specific expertise in aviation-based terrorism, describe a ‘nonexistent’ security system before 9/11, and a bureaucratic nightmare after.”

We’ve all become accustomed to the bizarre situation at our nation’s airports – a situation in which passengers are asked to perform something akin to a highly ritualized Japanese tea ceremony of removing our shoes, bowing respectfully before our superiors, and speaking in low, formalized tones professing our innocence (“No, I’m not carrying plastic explosives in my contact lens case”) … all the while never feeling that we’re any safer.  If Mr. Gevalt’s film can in any way improve this situation – and improve our security – then we wish him the very best with it.  It’s a pity to me that this documentary is being self-distributed, due to the extremely important subject matter – and the fact that the film appears to have good production values and feature credible experts on the situation.  But such is typically the fate of whistleblowers who buck the system.  Feel free to visit the film’s official website for more information.

Posted on June 22nd, 2010 at 3:25pm.

Passion Producer McEveety, MPower to Produce C.S. Lewis’ The Great Divorce

C.S. Lewis.

By Jason Apuzzo. MPower Pictures, the people behind BellaThe Stoning of Soraya M and American Carol, are apparently joining Beloved Pictures in an adaptation of C.S. Lewis’ Christian allegorical novel, The Great Divorce.  MPower’s Steve McEveety, one of the producers of The Passion of the Christ, will be leading the production team according to Variety.  Children’s book author N.D. Wilson (100 Cupboards) is attached to write the screenplay.   John Shepherd is reported to have brought the project in for MPower.  Beloved Picture’s team includes CEO Michael Ludlum, president Caleb Applegate, and VP Bob Abramoff.

I have not read The Great Divorce, but the story apparently involves a narrator who finds himself in a dark, gray metropolis – a city that serves as a kind of metaphorical stand-in for Hell.  He eventually boards a bus bound for Heaven, discovering along the way that he and his fellow passengers are actually dead. The passengers are given the opportunity to enter the verdant, elysian fields of Heaven – although, ironically, most choose to cling to their past and return to their hellish metropolis.  The novel apparently probes the many reasons that people resist the better life Christ has waiting for them.

Lewis’ novel was also apparently intended as a response to William Blake’s The Marriage of Heaven and Hell, hence the title.

Due to the Narnia series, we all know that C.S. Lewis is hot right now in Hollywood circles – particularly in the Christian community.  My sense from reading the internet write-ups on The Great Divorce (see the Wikipedia entry), is that there are significant opportunities for CGI here both in the depictions of the dark, hellish metropolis – and in the depiction of heaven.  The bus, given the environmental sensitivity of our times, will probably need to be an electric bus.  Just kidding.

We will continue to monitor this story.  We’ve had Steve McEveety as a guest at several Liberty Film Festivals, and we want to wish him and his entire team the best on this ambitious project.

Posted on June 22nd, 2010 at 12:14pm.

Happy Birthday Jane Russell! + Classic Movie News, 6/21

Jane Russell.

By Jason Apuzzo. • LFM wants to wish Hollywood legend Jane Russell a Happy Birthday today!  Jane was a guest at a Liberty Film Festival event back in 2007, and this talented and lovely lady charmed everyone there with her warmth, good cheer and delightful stories from her career.  We had the chance to spend a lot of time with Jane that weekend, and I can’t tell you how gracious and fun she is.  All our best wishes to her on this day – and LFM readers should note that Turner Classic Movies is playing a lot of her films today, as well.  I was thrilled to see TCM show Underwater! recently – the huge, color 3D adventure Jane did for director John Sturges and producer Howard Hughes.  You read that right: Jane Russell in 3D … [Jane also did 3D for Hughes’ The French Line.]  Feel free to pick up some of Jane’s best films in the LFM Store below.

The Wall Street Journal did a review recently of the new book on the Liz Taylor-Richard Burton romance, Furious Love. I’m looking forward to reading this book.  Click on over for the review, and order the book below in the LFM Store.

British director Ronald Neame passed away this past week at age 99. Neame actually began his career as an assistant cameraman way back on Hitchcock’s Blackmail from 1929, which was the UK’s first sound film.  Neame had an extraordinary visual sense as a director, as evidenced by films such as Oliver Twist, Great Expectations and The Poseidon Adventure.  He will be missed.

• Turner Classic Movies has a review out of the new Criterion DVD of Antonioni’s Red Desert.  In other Antonioni news, The New York Times reports that Le Amiche (The Girlfriends) is getting a theatrical re-release.  Check out both films in the LFM Store above.

A new cut of the film coming soon.

Alfred Hitchcock’s landmark film Psycho turns 50 this week, and there are a host of retrospective articles out about the film.  Read the behind-the-scenes story about Bernard Herrman’s extraordinary score for the film (which Hitchcock initially resisted), and also read Andrew Sarris’ original review of the film.  Two side notes: I’m actually in the middle of reading Robert Graysmith’s The Girl in Hitchcock’s Shower, which is about the actual, behind-the-scenes murder story involving the woman who was Janet Leigh’s double for the Psycho shower scene.  It’s a very interesting book, and I’ll try to do a review of it down the line.  It’s available in the LFM Store above, along with Psycho.  Also, if you’re interested in some of the general influences behind Bernard Herrman’s music, the LA Times recently did a piece on Richard Wagner’s influence on movie music.

• Movie Morlocks, the TCM blog, has two interesting posts out this week: one an interview with cult movie star Trina Parks, and another on early attempts from the 1950’s at advertising techniques involving subliminal suggestion.  Click on over for more, and we’ve got some Trina Parks movies available in the LFM Store above.

The New York Times has a review up of the new Charlie Chan Collection from TCM (available in the LFM Store), plus the New York Times reports that a new, ‘director’s cut’ version of Rebel Without a Cause is being prepared by Nicholas Ray’s widow, Susan, for a premiere at the Venice Film Festival next year to celebrate the centenary of her husband’s birth.  That should be interesting.  She apparently worked on this for years with her husband while he was alive.  I’m reminded here of Walter Murch’s recutting of Touch of Evil, based on Orson Welles’ original notes.  It’s not often you see such a major film re-edited.  Pick up a copy of the original Rebel cut in the LFM Store above.

• The Wall Street Journal engages in some fun speculation this week: who were The Real Holly Golightlys of New York City, on which the Truman Capote/Audrey Hepburn character was based for Breakfast at Tiffanys?  You can pick up the original film in the LFM Store above.

• AND FINALLY … is there a better classic movie blog than Greenbriar Picture Shows?  I doubt it, and to prove it check out this great post they did recently on John Ford’s Stagecoach, in conjunction with the new Stagecoach DVD from Criterion.  Click on over, and buy the new DVD in the LFM Store above.

And that’s what’s happening this week in the world of classic movies …

Posted on June 21st, 2010 at 5:21pm.

Mao’s Last Dancer Takes HBO Audience Award at Provincetown Film Fest

LFM wants to congratulate the team of Mao’s Last Dancer for sharing the HBO Audience Award for Best Narrative Feature at the Provincetown International Film Festival this past weekend.

Mao’s Last Dancer will be released later this year, and is directed by Bruce Beresford (Driving Miss Daisy) and stars Bruce Greenwood, Kyle MacLachlan, Joan Chen and Chi Cao in the lead role.  We’ve posted on this film previously, and we’re looking forward to its U.S. release later this summer.

Mao’s Last Dancer takes place in the 1960’s-70’s, and tells the true story of Chinese ballet dancer Li Cunxin – who was taken from his impoverished family in rural China at the age of 11 by the Communist Chinese to train as a dancer in Madame Mao’s dance school in Beijing.  The young Li soon became a star pupil due to his talent and indomitable work ethic – and at age 18 was given the opportunity to participate in the first cultural exchange program between Communist China and America, where he would eventually dance for the Houston Ballet Company.

The movie’s advocacy of democratic freedom appears to be refreshingly unapologetic.  [See the trailer here.]

Mao’s Last Dancer has been picked up for distribution by Samuel Goldwyn Films, and is currently set for a limited U.S. release this August 20, 2010.

Posted on June 21st, 2010 at 2:05pm.

Hollywood Round-up, 6/21

The Green Hornet ... or halftime at a Notre Dame game?

By Jason Apuzzo.Toy Story 3 easily won the weekend box office contest with a huge $109 million haul, although perhaps more shocking was the pitiful $5 million for Jonah Hex. Does this finally spell the end of movies based around a guy’s melted face?  Incredible Melting Man reboot likely doomed.

24 and retiring.

The first production stills from The Green Hornet have been released, and the trailer will apparently be out tomorrow.  I might actually see this one, although the casting of Seth Rogan is so awful as to be almost stupefying.  In related news, a Hong Kong biopic about the early years of Bruce Lee is apparently moving forward, starring Aarif Lee (no relation).  No U.S. release as yet announced.  LFM endorses Bruce Lee nostalgia.

• LA Times conspiracy theory: TLC new channel for Red Staters, with channel featuring new Sarah Palin show.  Channel reportedly aiming to be an “antidote to Bravo.”  Does that include Bravo’s ratings?  Lots of people who aren’t left wing like Bravo, too, which is why that channel is doing such boffo business.  Memo to TLC: get ratings first, talk smack second.

The LA Times reports today from ActionFest, a new film festival in North Carolina focusing on action – and featuring a special appearance by Chuck Norris. As one of Chuck’s many former students, all the best to Chuck as he hits 70 this year … [Already?]  My favorite movie of Chuck’s is still Lone Wolf McQuade.

• If somebody gave you this pitch, would you believe it: “Think Willy Wonka, The Matrix, and Avatar all rolled into one.” Apparently Warner Brothers did.  I love LA.

Oliver Stone’s new ass-kissing documentary on Latin American dictators, South of the Border, has tanked … in Hugo Chavez’ Venezuela. How great is this?  I’m praying they open Wall Street 2 in Venezuela too, so maybe Stone’s career will finally be over.

Backlash building against highly non-Egyptian Angelina Jolie playing Cleopatra in (possible) biopic. Can you imagine if they actually shot this film in Egypt?  She’d need her sunblock set at SPF 30,000.

She thanks the troops.

Actress Rose McGowan took time to visit wounded soldiers recently at at Walter Reed Medical Center. “To say these wounded warriors are inspirational doesn’t even begin to cover it,” McGowan said on Twitter. “So grateful to them.”  I’m grateful to her for the opening scene of Planet Terror.

Val Kilmer’s trash-talking against New Mexico is finally catching up with him as he applies for permits for his new bed-and-breakfast. Or are people just angry over MacGruber?

Megan Fox is eager to play her “dream role,” a Native American lesbian superhero. Major cat fight ahead with Michelle Rodriguez.

• AND IN TODAY’S MOST IMPORTANT NEWS … actress Amanda Bynes announces her retirement from acting at the ripe old age of 24.  Is this a career flameout, or is she just prepping for a role in Logan’s Run?

And that’s what’s happening today in the wonderful world of Hollywood.

Posted on June 21st, 2010 at 12:57pm.

Catastrophe in China under Communist Rule: LFM Reviews LA FilmFest’s 1428


[Editor’s Note: LFM is currently covering a series of provocative films debuting this week and next at The Los Angeles Film Festival.]

By Joe Bendel. For China, the earthquake that devastated Sichuan province on May 12, 2008 has been like Hurricane Katrina and the Gulf oil spill combined.  It has laid bare public corruption and put the local and national authorities on the defensive.  Like Katrina, it has also been widely documented in films like the Oscar nominated short China’s Unnatural Disaster and Du Haibin’s feature 1428 (the winner of the 66th Venice Film Festival’s Best Documentary Award), which screens tonight at 8:00pm at the 2010 Los Angeles Film Festival.  See the trailer below.

At 14:28 hours (2:28 pm) China was hit with what is considered the nineteenth worst earthquake in history, just three months before the Beijing Olympics were scheduled to open.  The Communist government’s official response has been controversial to say the least.  Despite the quake’s severity, many suspect it would not have been as deadly had government construction been less shoddy, particularly at schools.  Promises have been made to Sichuan survivors, usually by politicians orchestrating media ops, but the delivery of relief has been slow and problematic.

Du focuses his lens on the haunted faces of Sichuan’s dispossessed.  They live in shanty towns and temporary housing, enduring shortages of food and power.  Many would like to return home, but following a truly perverse plan of action, the government has begun demolishing houses that withstood the quake.  Such is the efficiency of China’s emergency management.  For many survivors, it appears all the authorities have to offer is an opportunity to wave at the Premier’s tour bus as his motorcade blows through town.

Stylistically compatible with China’s so-called D-Generation (D for Digital) filmmaking, Du eschews conventional documentary techniques, like formal interviews and voiceover narration.  Instead, he lets the camera roll, capturing the unfiltered reality of the quake’s aftermath at intervals of ten and two hundred ten days after the disaster.  It is not pretty.

There is clearly a lot of anger in Sichuan that survivors do not seem to know how to express.  One frustrated old man offers perhaps the most direct censure of the government, complaining: “The policies of the Communist Party are good in essence but they have been carried out wrongly.”  In fact, the survivors seen in 1428 are much more guarded in their grievances than the grieving parents featured in Unnatural. Of course, it is worth bearing in mind Du’s footage was shot a mere nine years after the Tiananmen Square massacre, so he might well have been more circumspect in what he choose to include, for his subjects’ sake.

Like many of the D-Generation films, 1428 obliquely criticizes the Chinese Communist government from a perspective that would be considered left of center in the west.  One elderly Taoist mystic (with much prompting) links the earthquake to the lack of observance of the Earth-God (perhaps implying a corresponding paucity of respect for the Earth by extension).  However, the most heartbreaking footage of 1428 involves bereaved parents searching for the remains of their missing children amid the wreckage of their schools.

1428 is an eye-opening dose of reality, straight-up without any external editorializing.  It is not the popular image of contemporary China the government has worked to cultivate. In truth, it does require some patience (though not as much as Du’s previous film Umbrella) because it so scrupulously represents life as it is for the Sichuan survivors.  Consistently illuminating, it is definitely recommended to anyone in the City of Angels when it screens tonight at 8:00pm at the LA Film Fest (6/21).

Posted on June 21st, 2010 at 10:07am.