By Jason Apuzzo. So that you can get a feel for the man, I wanted to share with everybody some interviews that recently appeared on-line featuring my late friend and mentor Irvin Kershner. The interview above, which he did about a year ago, deals with making The Empire Strikes Back. It’s classic Kersh, in full storytelling mode. (You can see Part Two of this interview here.)
One of the things I should have mentioned in my remarks about Kersh from Monday was his tremendous sense of humor, which you get a flavor of above. His humor was typically of the earthy, Jewish – and occasionally ribald – variety, and it’s what kept you hooked on the man, even if he’d just given you a verbal pounding.
I’ll never forget a time when Govindini and I had been up to his place, and Govindini had accidentally left behind a sweater, a blue cardigan. We asked Kersh later if he still had it. “No,” he said, with a wry grin. “I sold it to the Rag Man when he came by.” Classic Kersh. (With a cheeky grin, and with his typical old World courtliness, he then gently brought forth the sweater – neatly folded.)
Anyway, Kersh (born ‘Isadore’ Kershner) certainly came a long way from his youth in Philadelphia in the 1920s, when his Ukranian father supported the family selling fruits and vegetables from a street cart. It’s nice seeing him finally get his due right now in the media. It would’ve made him feel good, although – ever industrious, ever motivated – he wouldn’t have liked it distracting from his work …
Here are some of the better quotes I’ve seen about Kersh over the past few days:
George Lucas: “I considered him a mentor,” Mr. Lucas said in a statement after Mr. Kershner’s death. “Following ‘Star Wars,’ I knew one thing for sure: I didn’t want to direct the second movie myself. I needed someone I could trust, someone I really admired and whose work had maturity and humor. That was Kersh all over.”
“I didn’t want ‘Empire’ to turn into just another sequel, another episode in a series of space adventures,” he said. “I was trying to build something, and I knew Kersh was the guy to help me do it. He brought so much to the table. I am truly grateful to him.”
Francis Coppola: “We all enjoyed knowing Kersh, learning from him — and admired his creative spirit and indomitable will,” Coppola said in a statement released by Kershner’s publicists. “It was always exciting to talk with him about all aspects of cinema and life.”
Barbra Streisand: “He had the most incredible spirit, an exuberance for life. Always working, always thinking, always writing, amazingly gifted and forever curious. We met doing ‘Up The Sandbox’ in 1972 and remained friends ever since. I loved him,” she said in a statement.
Billy Dee Williams: “[A]n extraordinary mountain of a man with whom I’m proud to have shared the world of art.” “I bet he’s smiling at us right now with that wonderful impish smile,” Williams said in a statement.
Matthew Robbins: “To many, he represented the best in what American film making could do with its enviable resources and catholic traditions,” Robbins said. “He believed in emotion as the basis for all dramatic storytelling. For him, the worst cinematic crime was flatness, or lack of feeling. “Few who encountered Kershner either on the set or in the classroom will forget his almost ruthless pursuit of honesty and recognizable, complex human motivation,” Robbins said.
The interview below, conducted in his wonderful living room – full of artifacts from his many travels – is a more personal interview that deals with his youth, and his development as an artist, covering some of his early period as a painter and a photographer.
Part 2 of this interview can be seen here. I’ll be reviewing The Making of the Empire Strikes Back in coming days.
Posted December 1st, 2010 at 12:30pm.
