[Editor’s note: this is the first of a new LFM series of ‘visual essays’ for classic movie fans, called “Classic Cinema Obsession” by Jennifer Baldwin.]
By Jennifer Baldwin.
This Week’s Classic Cinema Obsession: SCANDAL SHEET (Phil Karlson, 1952)
Why do so many old movie obsessives (myself included) love Film Noir? Maybe it’s because so many films noir feature characters who are also, one way or another, obsessives themselves. Obsessed with money, with power, with justice, with a member of the opposite sex. The old movie obsessive can identify with these characters; we know what it’s like to have a passion that is all-consuming, which takes over our lives.
But classic film buffs like me love Noir for another reason too: Film Noir satisfies our obsessions. Beneath the surface of these B-movie programmers with their tightly woven plots and genre thrills, old movie obsessives can find complex, multi-layered themes and characters; hidden, coded messages about society and the human psyche; and a wealth of stylistic touches that make these films an endless source of study and analysis for the dedicated cinephile. In less than 90 minutes, your average film noir can provide an old movie obsessive with hours, days, years of film geek fun.
That’s what we’ve got with SCANDAL SHEET, a well-written, gritty and cynical little crime flick from director Phil Karlson, starring Broderick Crawford, John Derek, and Donna Reed, and based on a novel by Samuel Fuller (yeah, that Sam Fuller). It aired on TCM May 19, 2010 (2:00 AM EST) as part of their Star of the Month tribute to Ms. Reed and it’s my Classic Cinema Obsession of the Week. Continue reading Classic Cinema Obsession: SCANDAL SHEET (Phil Karlson, 1952)