Hollywood Round-up, 8/27

Blue female: Beau Garrett as Jem in "Tron: Legacy."

By Jason Apuzzo. • It would be very easy these days to devote a post per day to James Cameron. He’s everywhere, commenting on everything, seeing analogies to Avatar everywhere, and apparently not turning down many interviews. Perhaps this is what working out of the public eye for so many years does to you. In any case, Cameron is in the news again today for many different reasons on the eve of the Avatar re-release.  In the LA Times he indicates that he wants Avatar to compete with Star Wars, Star Trek and the Tolkein ‘franchise’ on a macro-pop culture scale (it won’t, for many reasons). He also sees analogies to the despoiling of Pandora in the BP oil spill, and now comes word today – and this certainly is no surprise – that the Iraq war represented a major impetus behind Cameron’s writing of Avatar.

Mr. Cameron strikes me as being something akin to a mad scientist from a 1950s sci-fi film, in that there is undoubtable genius at work in what he does … yet this ‘genius’ (which is of both a technical and narrative variety) is put to ends that are, ultimately, insane in their basic conception. The irony is that Avatar reverses so many things that Cameron’s films seemed to stand for in the past in terms of the basic justness of American military interventions abroad – whether one thinks here of Aliens or True Lies or even Rambo II (which Cameron co-wrote). Cameron has gotten lost in his own technology, his own personal Pandora of anti-Americanism, pseudo-mysticism and eco-extremism – and it’s becoming increasingly unpleasant to watch.

• In related sci-fi/fantasy news, check out this interesting interview featuring Mark Hamill and Harrison Ford, circa 1980, in which we learn that George Lucas was, indeed, planning his Star Wars prequels even back then (down to the 20 year timeline interval between trilogies). George is nothing if not methodical. Also today: someone has put together a ‘silent film’ version of The Empire Strikes Back, which is a lot of fun; there are also indications that big news will soon be coming out about Peter Jackson’s Hobbit; and Tron: Legacy has a new international teaser poster out, featuring Beau Garrett. I’m really looking forward to this film, and hoping it’s been worth the wait.

Blue female: Riley Steele at the "Piranha 3D" premiere.

The Wrap thinks movie ticket prices are too damn high. They’re right. The major culprit? 3D. It’s true; I caught a 10am screening of Piranha 3D last week and the ticket cost $9, which is crazy. For that price, the underwater ballet should’ve been at least 5 minutes longer.

The Academy will be giving honory Oscars out this year to Francis Ford Coppola (Irving Thalberg Award), Jean-Luc Godard, Eli Wallach and Kevin Brownlow … all richly deserved, in my opinion. Coppola and Godard are among my all-time favorites, Kevin Brownlow is easily one of our best film writers … and who doesn’t love Eli Wallach? The funny part of all this is, though, that nobody can find Godard to tell him! Typical Godard. He’s probably living in Alphaville.

• Did you like Frank Miller’s Gucci ad from the other day? Not to be outdone, Martin Scorsese just shot a slick new ad for Chanel.

Katy Perry looked and sounded great on Letterman’s show yesterday. We’re eager to promote her stuff, in the midst of this bad economy, because we recently learned from the LA Times that the ‘real’ subject of her music is “consumerism.”

Christina Hendricks is now doing ads for London Fog, which provides trenchcoats for Mad Men. I didn’t think trenchcoats could fight so tightly on a gal.

• AND IN TODAY’S MOST IMPORTANT NEWS … Piranha 3D’s Riley Steele has a birthday today, which is appropriate considering that she’ll be wearing her birthday suit on screens all across America this weekend.

And that’s what’s happening today in the wonderful world of Hollywood.

Posted on August 26th, 2010 at 6:57pm.

Hollywood Liberal Says: Angelina Jolie a ‘Closet Rightie’ Who Must Therefore be ‘Great in Bed’

By Jason Apuzzo. Earlier today I read what has got to be one of the most unintentionally funny excrescences from a Hollywood liberal that I’ve ever encountered.  Jeffrey Wells today over at Hollywood Elsewhere, a site renowned for its faux-insider musings on the industry – not to mention Wells’ retro-ducktail haircut – engages in some decidedly breathless speculations over whether Angelina Jolie might be … a closet right-winger!

Jolie gets 'politically profiled.'

Who is ‘Salt,’ indeed!

But that’s not all!  In conspiratorial tones redolent of his apparently deep, penetrating insights into female psychology, Wells also speculates on whether Ms. Jolie’s alleged conservatism is somehow responsible for her legendary sexual prowess in bed! Well!

Even if I tried, I couldn’t make this stuff up.

Some context here: we’ve been talking-up Jolie’s Salt for months here at Libertas (see here and here) because of that film’s blistering critique of the communist cause – a cause which lingers on today, as we all know, in other guises … both domestic and abroad.  And as regular Libertas readers know, it remains astonishing to me that the right wing media in America continue to ignore Salt while promoting Stallone’s anti-CIA hit job The Expendables, which still isn’t even doing as well at the box office as Jolie’s savvier, more pleasurable film.

So here comes Jeffrey Wells stumbling into the mix, with his conspiratorial musings on whether Jolie is some kind of puppet for her “saliva-drooling Tea Party nutter” father (Jon Voight), along with some Rat Pack-level psychology on the female of the species.  [By the way, all of this comes fast on the heels of the LA Times’ Tom O’Neil political ‘profiling’ of Ernest Borgnine, based solely and exclusively on Borgnine’s refusal to see Brokeback Mountain.]

Here’s Jeffrey Wells, sans irony:

Angelina Jolie isn’t just the once-estranged daughter of Hollywood’s worst saliva-drooling Tea Party nutter, Jon Voight. She may also be a closet ally of Voight’s, at least in terms of despising Barack Obama. (Call this a flimsy maybe.) She also seems to be a supporter of America’s military adventures in Iraq and perhaps also Afghanistan and…well, basically anywhere that the poor are suffering due to the deprivations of war. …

I only know what Jon Voight has said and stands for, and that I saw him standing near his daughter and Brad Pitt inside a roped-off area at the Salt premiere after-party. And the old cliche about the acorn not falling too far from the tree flew into my mind, especially considering her rep as a closet rightie (including her alleged support for McCain during the ’08 campaign) and that “stay the course in Iraq” Washington Post article she posted in ’08. And being…okay, maybe she’s more of an Ayn Rand libertarian, given her interest in making a film version of Atlas Shrugged.

It’s fair to say that if Rush Limbaugh is singing your praises, something stinks in the kingdom of Denmark.

The basic conservative impulse is to bow down and show total allegiance to authority. This obviously links up with the old cliche about right-wing women (like Rand) being especially passionate about worshipping strong males, which is incidentally why they’re said to be so great in bed. This could be one possible explanation for those reportedly overheard sounds that suggested “an animal being killed.”

I’m not one to take unsourced Us magazine quotes as anything to rely upon, but combine the Washington Post op-ed piece with this 11.09 non-attributable quote that Jolie considers Obama to be a “closet socialist,” and I’m at least thinking “hmmm.”

The term “closet socialist”….well, what’s so bad with that? FDR was one, and he had it right in my book. Anyone who uses such a term is clearly a closet rightie. I mean, that’s a symmetrical way of looking at it.

“‘She hates [Obama],” a source close to Jolie told an Us reporter, according to the article. “She’s into education and rehabilitation and thinks Obama is all about welfare and handouts. She thinks Obama is really a socialist in disguise.”

So let me summarize some of what we’ve learned from Mr. Wells here, because it’s really quite fascinating.

• One of the reasons Jolie might be a right winger is that Mr. Wells spotted her standing next to her father at the premiere of Salt.  My, that does seem incriminating!

• Another reason she must be a conservative is that she was interested in playing the Dagny Taggart role in Atlas Shrugged … which, apparently unbeknownst to Wells, famous Hollywood liberals like Charlize Theron and Julia Roberts have also been attached to because it’s a great female role.  Does that make them ‘closet righties’ too, Jeffrey?

Right wing women: "great in bed."

• “The basic conservative impulse is to bow down and show total allegiance to authority,” asserts Mr. Wells. And blissfully unaware of the ironies involved, just a few lines later Wells goes on to praise the presidency of FDR.  I’ll leave that fun little contradiction alone because I don’t believe in shooting turkeys while they’re squawking in a barrel.

• This is my favorite Wells-ism, though: that right-wing women worship strong males, and for this reason are “great in bed.” Well! Among other things, we’re learning here about what Mr. Wells himself apparently thinks makes a woman “great in bed”: namely, the worship of “strong males” … like him? Fascinating!  It’s amazing how retro some of these ‘liberal’ guys can be!

• I also like Wells’ efforts to tie Jolie’s right-wing politics to celebrity gossip about some apparently loud lovemaking (the “animal getting killed” stuff) between Jolie and Brad Pitt at an African resort, from five years ago.  Apparently in Wells’ mind that’s a strong journalistic lead in the hunt to uncover Jolie’s secret, reactionary worldview!

I could go on here, but I think you get the point.  I’m less interested here in whether Jolie is actually a right-winger (I doubt that, frankly) than in a typical Hollywood liberal’s image of what a conservative must be like.

I’m also intrigued by what Mr. Wells’ heated musings suggest about what the average Hollywood liberal really thinks of the female of the species, by the way.  Who’s really the caveman here?  It sounds like it’s you, Jeffrey.  Or maybe you’re just not getting your ducktail stroked enough.

Posted on August 26th, 2010 at 2:02pm.

Hollywood + Classic Movie Round-up, 8/25; Happy 80th Sean Connery!

By Jason Apuzzo. • Sean Connery turns 80 today, and we want to wish him a Happy Birthday.  Connery’s done many great films and created many great characters over the years, but his lasting achievement is obviously going to be having created the most memorable characterization yet of James Bond.  Indeed, due to the combined efforts of both Connery and Ian Fleming, 007 probably became the most iconic literary and /or filmic character of the Cold War era.

Sean Connery.

I just recently was watching Goldfinger and Thunderball, and the thing that struck me most about those films was the studied ease with which Connery mixes machismo, and a dry, urbane wit.  Very few actors have ever been able to combine those things as well as Connery did in his prime.  Daniel Craig and Sam Worthington, please take note: you become an action star by doing more than just sneering at the camera and head-butting your co-stars.  It takes a dash of intelligence, and more than a little humor.  The key factor with Connery is the fun he’s having along with the audience as his character is put into increasingly more insane situations.  That fun is utterly infectious, and is what makes the early Bond films so droll and delightful.  Happy Birthday to the estimable Scotsman.

In related Connery news, somebody in the UK recently dug up a previously-thought-lost copy of the BBC Anna Karenina that Connery did in 1961 with Claire Bloom, just one year before Connery became a megastar with Dr. No.  It will be out on DVD next month.

• There’s apparently going to be a Hurt Locker-based reality TV series that will be following a bomb-disposal squad in Afghanistan.  The show will be titled “Bomb Patrol: Afghanistan,” and will take viewers behind the scenes of a U.S. Navy Explosive Ordnance Disposal unit.

I didn’t think reality  TV could be more frightening than “The Real Housewives of New Jersey,” but this surely is.  The courage of the men and women who do this sort of thing for a living is beyond anything I can imagine.

• You all know that we’re fans of Frank Miller here at Libertas, and now there’s a bit more to see of Frank’s forthcoming new ad series for Gucci … which has a bit of old-fashioned James Bond flair, perhaps?  Check out the new ad below.  It’s very sexy, love what Frank’s doing here.

• Did you know that vampire-related entertainment properties have brought in about $7 billion to the Hollywood economy? That’s what the Hollywood Reporter is claiming today.  I’m going to assume for the moment that it’s young female audiences who account mostly for this.  As I’ve been saying here for months, I think that the Harry Knowles-style fanboy is slowly in the process of being displaced by romance-starved young women as Hollywood’s primary consumer. This is just another sign of it.

• Speaking of romance-starved young women … do you remember the satiric review I did the other day of Piranha 3D?  The purpose of that review was to satirize how a progressive-Marxist style intellectual might react to that very silly, very fun little film.  Well, would you like to read what an actual, progressive-Marxist style reading of Katy Perry’s new album looks like? Read the LA Times review of Perry’s new Teenage Dream album.  I kid you not: the LA Times reviewer is convinced that Perry’s music is essentially a paean to rampant American consumerism.

Here’s an excerpt from the review below:

More than her Christian background or the chick-lit limits to her take on sexual liberation, what makes Perry a controversial artist is her essential hollowness. “Do you ever feel like a plastic bag drifting through the wind, wanting to start again?” she sings in the power ballad “Firework.” Perry felt like that bag, but then realized what a bag was for: to be filled up with shiny, purchasable things.

Though her lyrics generally recount familiar scenarios on the road to romantic fulfillment, Perry’s real subject is consumerism. [Emphasis mine.]  From the bouncy-house Scandinavian beats provided her by super-producers Max Martin, Stargate and her mentor Dr. Luke to the childlike enthusiasm with which she embraces lyrical clichés to the vocal style that combines sports arena chants with karaoke croons to her Halloween store look, Perry is the living embodiment of what it means to be bought and sold.

Her songs are like ads, with hooks that hit like paintballs and choruses that exhort like slogans; she delivers them with the gusto of a pitchwoman. On “Teenage Dream,” the songs alternate between weekend-bender celebrations of hedonism and self-help-style affirmations encouraging listeners to get an emotional makeover. Either way, acquisition is the goal: of a great love, a happy hangover, a perfect pair of Daisy Dukes.

I think Prof. de Molay will be emailing this reviewer shortly, as they probably have a lot to talk about.

Owen Wilson & Carla Bruni. Note baguette.

• IN CLASSIC MOVIE NEWS … Everybody’s talking about Josef von Sternberg right now because a series of von Sternberg classics are coming to DVD (see here, here and here), and there are some screenings coming up in New York of some of his classics.  I’m a big fan of von Sternberg’s work, particularly his films with the great Marlene Dietrich.  In other classic movie news, there’s a new biography out of Cecil B. DeMille that looks quite good (although I strongly recommend C.B.’s classic autobiography); the LA Times interviews Gone With the Wind’s Ann Rutherford this week; there’s a new rumor about a forthcoming Stanley Kubrick Blu-ray collection; there’s some fun speculation about what deleted scenes might be available on the forthcoming Star Wars Blu-rays; and our friend Patrick Goldstein at the LA Times talk about the new Liz Taylor-Richard Burton biography, Furious Love.

• AND IN TODAY’S MOST IMPORTANT NEWS … Woody Allen says in an interview that French first lady and Libertas favorite Carla Bruni was “very professional” on the set of his new film Midnight in Paris – and that working with her was “smooth and pleasant.”  We expected no less.  Carla apparently plays a guide at the Rodin Museum, and she was so good Allen’s going to keep all her scenes in.  This may be the first Woody Allen film I see in years.

And that’s what’s happening today in the wonderful world of Hollywood.

Posted on August 25th, 2010 at 11:45am.

NBC’s The Event: An Obama Stand-in, CIA Conspiracy … and an Alaskan Detention Camp?

By Jason Apuzzo. I’m curious as to what people think of this preview (above) for NBC’s forthcoming series, The Event.  Here are the main elements I’m getting from this trailer:

• Heroic, charismatic young black President.

• CIA conspiracy involving illegal detainees.

• A secret detention facility in Alaska?

• Some sort of 9/11-type event.

I believe this is what is referred to as ‘on the nose’-style filmmaking.  And we apparently now have the Obama Administration’s own version of The West Wing.

Somehow you knew this was coming, didn’t you?

[Special thanks to LFM’s Patricia Ducey for tipping me off about this.]

[Special thanks to Hot Air for linking to this post.]

Posted on August 24, 2010 at 2:20pm.

Hollywood Round-up, 8/24

Chi Cao from "Mao's Last Dancer."

By Jason Apuzzo. • It was such a pleasure seeing Mao’s Last Dancer this past weekend.  It’s an emotional, stirring film that is carried by two very strong performances by Chi Cao and Bruce Greenwood.  The story of how this young Chinese dancer rose to prominence during the nightmare-period of Mao’s reign, came to America – and then fought tenaciously for his freedom – is a story that everyone should see, especially when it’s told as elegantly as director Bruce Beresford tells it here.

What I was stunned by, however, were all of the flattering references in the film to (then) Vice President George H.W. Bush, and also to President Reagan.  It’s made quite plain that the elder Bush was instrumental in securing this young dancer’s freedom, and this is probably going to be the most flattering take on the Bush family and/or legacy you’re going to see on film any time in the near future.  We’ve got a brief except from the film below in this context, by the way.

I cannot recommend this film highly enough, as it expands into wider distribution next weekend. Mao’s Last Dancer is not only a compelling indictment of the communist system, but a rousing testimony to the opportunities available to high achievers in free societies like our own. Make sure to see it.

On the box office front, Mao did over a $192,000 in business on 31 screens in 10 markets.  It opens to 15 new markets this upcoming weekend.  Make sure to check out the clip below.

• From the sublime to the ridiculous … the other film I saw this past weekend that involved a ballet sequence (ahem), Piranha 3D, finished #6 at the box office this weekend with over $10 million … which is actually only about $6 million less than the #1 film, The Expendables.  Despite the strikingly positive reviews this film received (Rotten Tomatoes currently has it at an 81 rating), the rather obvious problem this film faced is that its intended audience – namely, teenagers – for the most part couldn’t see it due to its R rating.  [Personally I think the film easily could’ve received an NC-17.]  Still, I think Alex Aja has created a genuine cult masterpiece here that will live long and prosper once it reaches its natural milieu of unrated home video. 🙂  And, indeed, word is now breaking late today that Aja and Dimension films are already planning a sequel to the film, possibly to take place in Thailand.

From "Chronicles of Narnia: Voyage of the Dawn Treader."

Sandra Bullock and Tom Hanks may be teaming on an adaptation of the post-9/11 Jonathan Safran Foer novel, Extremely Loud and Incredibly Close. This project looks interesting, and we’ll keep an eye on it.  I haven’t read the novel, but Entertainment Weekly has a brief summary of it here.

Angelina Jolie has announced that her next project will be a low-budget love story set at the height of the Bosnian war, for which she wrote the screenplay … and which she’ll be directing (she will not be acting in the film). “The film is a love story, not a political statement,” Jolie asserts in a recent statement about the project.

Good for her.  How odd that at this point I feel more confident in how she’ll handle this material than, say, how Stallone might.  Salt, by the way, has thus far grossed $216 million worldwide.

Turning heads at the Creative Arts Emmys.

• The annual article about ‘Hollywood Reaching Out to Christians’ has come out … this time from The New York Times.  It’s a little tiresome reading these articles each year.  Basically the only reason films get made that appeal to Christians these days is because Christians themselves – usually working outside the confines of the Hollywood system – pony up their own money and get them made.

By the way, in this context there are some new clips out today of the next Narnia film.

The LA Times’ Tom O’Neil questions whether SAG should be honoring the great Ernest Borgnine simply because O’Neil doesn’t like Borgnine’s personal politics … which O’Neil is apparently able to divine simply because Borgnine didn’t feel like seeing Brokeback Mountain.  Mr. O’Neil, this is what’s called blacklisting.  It’s an ugly, retrograde practice and you should stop this immediately.

• AND IN TODAY’S MOST IMPORTANT NEWS … Mad Men va-va-voom star Christina Hendricks made a striking appearance at this weekend’s Creative Arts Emmy Awards.  Did you really think we were going to miss this?  The striking Ms. Hendricks will be competing for a Best Supporting Actress Emmy when the big-time Emmy Awards roll around this upcoming Sunday.

And that’s what’s happening today in the wonderful world of Hollywood.

Posted on August 23rd, 2010 at 6:02pm.

Stallone’s Expendables Still Outgrossed by Salt … and even by Inglorious Basterds

"It's true - Jolie's kicking our butts."

By Jason Apuzzo. I’m going to keep harping on this point until people get the message: namely, that Sylvester Stallone has not revitalized the action genre, but merely his own career (sort of), with The Expendables.

As the entertainment media continues to harp on Stallone’s Expendables being #1 at the box office this past weekend (although more honest types like the UK’s Guardian are admitting Stallone’s doing it against no serious competition), it’s worth pointing out that in head-to-head comparison Stallone & Co. still aren’t faring as well as Angelina Jolie’s Salt.

In its second weekend The Expendables has currently taken in $65 million, which is less than the $71 million Jolie’s Salt had by its second weekend – when that film was playing against Christopher Nolan’s box office juggernaut, Inception.

In fact, as Box Office Mojo notes today, even the Brad Pitt/Quentin Tarantino/men-on-a-mission Inglorious Basterds (which didn’t feature the CIA as an enemy) had taken in $73 million by its second weekend.

So sorry, Sly, we’re still not buying your film’s sham ‘patriotism,’ its ‘re-invention’ of the male action genre, or its box office prowess.  And you and your action buddies are still getting your clocks cleaned by a girl.

Posted on August 23rd, 2010 at 3:56pm.