New Hawaii 5-0 Heroes To Fight Terrorism

By Jason Apuzzo. Word comes today from The Wall Street Journal that the new version of CBS’ classic Hawaii Five-O series – see the trailer above – will feature a plotline in which the show’s heroes fight terrorism.  How much of that they do, of course, remains to be seen (is there a lot of terrorism in Hawaii?).

Here’s the Journal:

In the original “Hawaii Five-O,” Jack Lord’s Steve McGarrett is an elite detective—and a bit of a straight arrow—whose arch-nemesis is Chinese communist spy Wo Fat. He’s too busy solving crimes to have much of a personal life.  For the new version of the cop show, writers crafted McGarrett in post-9/11 mode, as a third-generation military man armed with high-tech weapons to fight international terrorism.

So they’re going Jack Bauer this time out.  Interesting.  I’ve been aware for some time that they were rebooting this series, but was not aware until now that there might be an anti-terror subplot worked into the storyline.

I’m a fan of the original show – in fact, as an odd coincidence, I just started watching DVDs of the original series last week.  One of the things that made the original show so interesting – aside from its aggressive, in-your-face photography and editing, memorable score, and Jack Lord’s flinty persona – was the abundant international intrigue in the show.  The core villain of the original series was, indeed, a Chinese communist superspy named Wo Fat, played menacingly by Khigh Dheigh (also famous as the Chinese communist spymaster from The Manchurian Candidate).  The pilot of the series, for example, features Wo Fat immersing American counter-intelligence agents (including, eventually, Jack Lord’s Steve McGarrett character) into a special brain-washing tank, in order to squeeze information out of them.  Wo Fat comes across as a crafty, brilliant adversary – and his rivalry with Jack Lord would eventually extend over the entire twelve seasons of the show.

Fighting the Red Menace: Jack Lord as Steve McGarrett.

And anti-communism was actually an important subtext of the show.  Hawaii Five-O was, to some extent, a refashioning of John Wayne’s film Big Jim McLain – a film which had featured The Duke and sidekick  James Arness battling a communist cell in Hawaii … all while wearing impossibly stylish clothing, and romancing local beauties like Nancy Olsen.  Jack Lord himself had famously played C.I.A. agent Felix Leiter in the original James Bond film Dr. No, and Lord’s first major starring role was in the anti-communist cult classic The Red Menace – so the Red Scare was definitely in the air on this series.

My assumption going in is that this reboot will not come even close to being as good as the original.  That’s a given, for reasons I probably don’t need to elaborate on here.  [Essentially it boils down to this: they botch everything these days.]  The new show obviously won’t have Jack Lord – who played McGarrett as a kind of edgy, 1950s-style company man, always on the brink of going berserk – and above all they won’t have the style, the muted cool of the old series.  But at least they’ll be fighting terrorists, and that’s a plus.  And maybe at some point they’ll bring in a new, 21st century Wo Fat.  Who knows?

The trailer looks plain vanilla, frankly – albeit with a fair amount of hardware.  We’ll keep an eye on all this.

Had the best soundtrack on TV.

[LFM Contributor Steve Greaves chimes in: “As a side note, another ‘impossibly cool’ element that is likely to be missing (or if it is there, will exist in some sullied form) from the new series is the kinetic, iconic and just plain rockin’ opening of the show featuring Mort Stevens’ time-tested Hawaii 5-0 theme music.

“Being a film music composer and buff myself, I have to say that the slammin’ timpani and heavy backbeat that kicked off the stylish and punchy title sequence made for one of most memorable, macho and all around tasty bits of 60’s TV pre-music video era. While the trailer shows signs of keeping the main theme reasonably intact, no doubt the reboot will purloin and abuse the melody, adding the requisite techno elements and Limp Bisquity schlock rock guitar wash that sounds like every action trailer churned out these days. Let’s hope they keep it pure, as the original show’s sonic palette brought a unique character to the series and locales therein.

“For a real treat, travel back in time and take a listen to the original series soundtrack which features classic mid-century TV cue writing and execution at its finest. Naturally, it also makes for great tiki party background fare.”]

Posted on August 6th, 2010 at 12:28pm.

Hollywood Round-up, 8/5

Stallone, wife Jennifer Flavin and cute daughters at premiere.

By Jason Apuzzo.The Expendables had its premiere yesterday. I certainly hope it does well – but I think I’ve figured out why my enthusiasm is muted with respect to this film: the apparent lack of a major star villain.  The problem with having all these action dudes lined up together is that they need a formidable foe, and I haven’t a clue from the marketing who that might be.

I think it’s great that Stallone uses his wife’s skin care products, by the way.  He should convince Mickey Rourke to do the same thing – Rourke’s currently looking like a mummy from one of those History Channel specials.

Revenue on 3D movies is dropping like a stone (see here and here).  I hate to sound like a broken record, but for the umpteenth time I repeat: this is the result of the cheapening of an otherwise legitimate and exciting new technology by bad, overnight conversions.  This is so frustrating, because we’re watching something novel and exciting – a technology that is the product of years’ worth of expensive, complex R&D – be ruined by greedy executives looking for short-term cash-ins.

The basis for "Inception"?

Did Christopher Nolan steal the idea for Inception from … Scrooge McDuck? Oh is this funny, if true!  Someone’s apparently dug up an old comic in which the Beagle Boys break into a sleeping Scrooge McDuck’s bedroom and use a small machine to tap into his mind … in order to invade his dreams and steal the combination to his vault!  Well, how about that?

This must be a tough story to take for all those critics who’ve been telling us what an original thinker Nolan is, how he’s rewriting the history of philosophy, etc.  Besides, if Nolan had been half the genius he’s supposed to be he would’ve stolen from Elmer Fudd instead.

A lot of critics continue to rave over Salt and Angelina Jolie’s performance in it. These critics include Kathleen Murphy, David Edelstein and Charles Taylor, all of whom have interesting things to say about Jolie and how the film cleverly uses her star persona.  Salt does really take the whole ‘movies don’t need stars’ argument and renders it laughable, as I indicated in my review.  I mean, is anybody under the impression that Maggie Gyllenhaal could’ve played Jolie’s role as well?  Or Amy Adams?  Please.

Here are some delicious, choice quotes from Charles Taylor’s piece “Deconstructing Angelina Jolie”:

I’m not the first critic to note that director Phillip Noyce puts the public’s distrust of Jolie to use in his ace spy thriller “Salt.” For most of the picture, we don’t know whether Jolie’s Evelyn Salt is a CIA agent or a Soviet mole. The question of Salt’s allegiance is finally answered, but Noyce’s masterstroke is that he makes the answer irrelevant to the pleasure of watching the splendor of Jolie in her full leonine regality …

The twists and turns of the plot allow Jolie to remain a solitary being. With Salt’s allegiance constantly in question, Jolie can stride through the movie with no allegiance, except to the camera regarding her. Noyce and cinematographer Robert Elswit realize they’re dealing with one of those rare performers comfortable with allowing the camera to drink her in (a quality often mistaken for narcissism). And since the audience is there to drink her in, we bond with her …

It’s not simply that “Salt” gets us on Jolie’s side. It’s that by forging our allegiance to Salt and keeping it firm no matter what side she appears to be on, Noyce affirms the truest values of movies: beauty, style, charisma. If virtue was what we craved from movies, then the heroine of “Gone With the Wind” would be Olivia de Havilland. When, in “Salt,” Jolie starts roughing up cops and Secret Service agents, it takes us a few beats to ask why she’s doing it. The truth is, at first, we really don’t care. All we know is that they’re somehow in the way of the person we’re there to bask in, and we just want to watch her stride and fight, and to look at that extraordinary face, some more … Jolie’s appeal is about the movie aristocracy of beauty and charisma …

What Jolie does in “Salt” goes far beyond the now-clichéd move of putting a woman in a male action role. The picture is, as few recent movies have been, a demonstration of the sheer power of star power. That the star in question feels like such a solitary being may be proof of just how small the pictures have gotten.

I could not agree more.  Click on over for the rest of Taylor’s drily amusing article.

Katy Perry takes on Lady Gaga.

The CHiPs TV series is getting re-booted … with Topher Grace? Whatever.  Good luck doing this without Estrada.  [Also: does this mean freeze-frames are back?]

G.I. Joe 2 is going forward, apparently with Stephen Sommers helming. I assume that’s because of the overseas grosses because nobody stateside really cares about this franchise, given it’s newly neutered/neo-globalist configuration.

• If you want to know what vacuous L.A. entertainment culture is actually like behind the scenes, the best thing you can do is watch The Rachel Zoe Project on Bravo.

RZP is a completely hilarious show that Govindini and I catch whenever we can; it’s essential viewing if you want to understand the ditzy, narcissistic and mostly harmless people who inhabit the industry.  The Wall Street Journal’s Speakeasy blog today gathers some of the best lines from the show’s season premiere, and there’s also a new controversy brewing over at The New York Post about why Rachel’s blonde assistant Taylor really got fired! My favorite line from last night’s show: “My Blackberry is at another level.”

• The whole Katy Perry vs. Lady Gaga thing is heating up. The shapely Ms. Perry just posed for Rolling Stone, and she also amplified on her recent accusation that Lady Gaga’s “Alejandro” video was “blasphemous.” Here’s Perry:

“I am sensitive to [boyfriend] Russell taking the Lord’s name in vain and to Lady Gaga putting a rosary in her mouth. I think when you put sex and spirituality in the same bottle and shake it up, bad things happen.”

Making grown men stammer.

I think there’s some truth to this.  The fine, razor’s edge line connecting (and separating) spirituality and sexuality is the line that, for example, Federico Fellini treaded artfully over his entire career; and it’s the boundary that dolts like Lady Gaga and Madonna stumble over bafoonishly every day.

It’s entirely possible for entertainers to be sexy and playful without crossing the line – provided they have the talent, of course.  And I think that’s what bugs me about Gaga: she doesn’t have the talent, so she makes up for it with cheap theatrics.  By contrast, Perry’s goofy, playful “California Gurls” video plays like a campy, fun burlesque show – but at no point does it make you feel that you’re watching something ugly or sacrilegious (quite the contrary, actually).  We’ll be watching this Perry-Gaga catfight as it unfolds.

• AND IN TODAY’S MOST IMPORTANT NEWS … Contrary to what you may think, LFM is not morphing into a Christina Hendricks fansite, but – like Angelina Jolie last week – she’s certainly got our attention!

Today the va-va-voom Mad Men star does this fun interview with The New York Post, and then you’ve also got to see this hilarious video from yesterday of an interview with Hendricks in which she renders a local LA news anchor speechless and blubbering by matter-of-factly mentioning that she was preparing a bath when she heard about her Emmy nomination.  The poor sap is just smitten.

And that’s what’s happening today in the wonderful world of Hollywood.

Posted on August 4th, 2010 at 6:15pm.

Hollywood Round-up, 8/4


By Jason Apuzzo. • In the buildup to The Expendables, new clips of the film are being released (see above), and Sly Stallone is talking a little bit more freely about the political situation in Hollywood.  Here’s what he says today, in an interview conducting with Aint It Cool News readers:

[I]t’s a minor miracle the last RAMBO would even be released, but I took a gamble there … [for people who] desire to see an action film unfold that wreaks of pride and manly individualism that has unfortunately fallen out of vogue. I believe that everything is a cycle. And once again America will have its cinematic heroes reflect the incredible honor it is to be defending the most extraordinary country the planet has ever known. Just give it time, everything is a cycle.

I sincerely hope he’s right – that these things proceed in cycles.  Suffice it to say that if he’s right about this, then we’re long overdue for a correction toward more pro-American, pro-freedom material.  We’ll see.  Most of the action on the pro-freedom front seems to be coming from independent filmmakers, not from within the Hollywood system.

"Transformers 3"s Rosie Huntington-Whiteley .

• The debate rages on over the merits of 3D cinema.  Today J.J. Abrams and Joss Whedon are more or less weighing in against 3D.  What’s interesting here is that nobody was having this debate right after Avatar.  It’s the recent run of crappy 3D conversions that have been causing doubts.  I continue to say: filmmakers should shoot natively in 3D, or not use the technology at all.

Communist China is apparently eager to have Inception playing in its theaters. It’s no wonder; the film’s basic subject matter is brainwashing!  It doesn’t surprise me in the least that they would be enthusiastically courting this film, and otherwise banning Salt.  In related news, the LA Times’ Patrick Goldstein notes the age-difference in critics who love/hate Inception – with older ones hating it.  I guess I’m breaking the mold here, because I’m under 40 and I hated it, too!

The Jack Ryan reboot Moscow may have a director: Lost’s Jack Bender. In related Cold War movie news, you may not have known that until his recent meltdown Mel Gibson and Lethal Weapon screenwriter Shane Black were apparently collaborating on a picture called Cold Warrior, which would have featured Gibson as “an ex-Cold War spy who comes out of retirement and teams up with a younger agent to stop a Russian terrorism threat.”  There’s also news today that Joel Silver may be trying to lure Gibson back to revive the Lethal Weapon franchise.  I can’t begin to describe what a bad idea that would be.

Transformers 3‘s Rosie Huntington-Whiteley appears on the cover of LOVE Magazine today. Yowza.  Where does Michael Bay find these actresses?  Oh, right – from the pages of Victoria’s Secret catalogues.

"Mad Men"'s curvy Christina Hendricks in GQ.

• Hollywood Elsewhere’s Jeffrey Wells asks a fascinating question today: [W]hat about the next generation of Hollywood Republicans? Are there any industry righties from among [the] under-35 set? A movement without young blood is no movement at all.” How true!  Boy would I love to answer this question in detail for Mr. Wells, whom I suspect would be fascinated by the answer.  Let’s just say that it’s to the benefit of certain people’s media careers that you never hear about the younger crowd – or about anyone currently involved in actual filmmaking, for that matter. You’ll always here about them here at Libertas, though, because that’s our entire mission: to promote and support pro-freedom filmmaking.  Plus we have great pin-ups.

• And speaking of which, Tron‘s Olivia Wilde, who is quickly establishing herself as a go-to sci fi babe, apparently just shot a nude scene for Jon Favreau’s Cowboys & Aliens in which she stands “naked in front of a bonfire in front of 500 Apache warriors.” Hey, this sounds like my kind of film!  Maybe Favreau read this.

• AND IN TODAY’S MOST IMPORTANT NEWS … Mad Men‘s Christina Hendricks does an interview and photoshoot for this month’s UK GQ. We’re big fans of Mad Men here at LFM (see here), and are pleased to see this retro-curvy bombshell is popping up (and out) everywhere these days …

And that’s what’s happening today in the wonderful world of Hollywood.

Posted on August 3rd, 2010 at 1:42pm.

Hollywood Round-up, 8/3

The new, War on Terror-tinged "Battle: Los Angeles" poster.

By Jason Apuzzo.Inception was the #1 film at the box office for the 3rd straight weekend. This is unbelievably depressing, and I’m having flashbacks now to Avatar‘s box office run from earlier this year.  Salt slipped to #3, behind Dinner for Schmucks.  Actually, if you go to the cineplex these days, mostly what you’re getting is Cinema for Schmucks.

Sony really should’ve courted Fox News and others of us in the alternative media – far in advance – given how strongly anti-communist Salt is, and given the rather obvious fact that the film’s star is Jon Voight’s daughter.  [Does this stuff really need to be spelled out?]   The film’s somewhat tepid performance – in summer tentpole terms – is now basically killing its chances for big-time success, along with the potential of a franchise.  What a shame.  [Sigh.]

Battle: Los Angeles has some interesting new posters out, including one (see left) that riffs off the War on Terror.  [Look closely and you’ll see the film’s alien in the background.]  Just last week the LA Times’ Patrick Goldstein and I had a kind of on-line discussion over whether the current new crop of sci-fi flicks are reflecting contemporary anxieties about war, terrorism, etc.  I think this poster more or less makes the point, yes?  It’s fascinating to me that while extraordinary movies about the actual terrorist threat like Four Lions struggle to get distribution, Hollywood apparently has no trouble sublimating the exact same anxieties into sci fi projects like this one.  Don’t get me wrong … I think it’s great that they put this stuff into sci fi, because it makes these pictures more relevant to our world – but I would also appreciate it if movies about the actual terrorist threat got a chance, yes?  This is something that, for example, Frank Miller has recently been saying.

• In other fantasy/sci-fi news, the new Frank Miller/Zack Snyder Xerxes may be further along than previously thought, and David Fincher talks today about his possible forthcoming adaptation of 20,000 Leagues Under the Sea.  Basically 50% of Hollywood has been attached to a 20,000 Leagues remake at some point.  Also there’s also some minor news today about the forthcoming Jack Ryan reboot Moscow, starring Star Trek‘s Chris Pine.

BREAKING: Variety says MGM has apparently also been developing its own sci-fi/alien feature, an updated big screen adaptation of The Outer Limits. Our old acquaintance Cale Boyter, who’s been a guest at the Liberty Film Festival, is overseeing this project for MGM.

The Wall Street Journal has just figured out that foreign audiences are starting to shape what kind of projects get green-lit in Hollywood. Those of us here at LFM would like to congratulate the Journal on this fresh insight!

The curvy Christina Hendricks of "Mad Men."

The ladies of Mad Men are apparently under orders to keep their curves, and not get too thin! Isn’t this refreshing!  This is ostensibly to preserve the period look of the show, but I think the emaciated look is also getting old.  Jolie didn’t always look convincing in her fight scenes in Salt, for example, because she looked almost as gaunt as Michael Jackson.

Shocker: more showbiz money still goes to Democrats, by roughly a 73%-27% margin. This isn’t just because of all the liberal messaging in films; it’s also because Republicans rarely encourage artists sympathetic to their side, particularly if those artists happen to be under the age of 80.  You reap what you sow.

• Stallone’s Expendables is tracking well, and is otherwise getting plenty of hype.  I wish I cared.  Nothing I’ve seen about this flick looks even remotely interesting – it just looks like a bad 80’s action film rehash that would normally go straight to DVD.  We’ll see.  I’ll be happy if it does well … but does that mean I have to see it?  [Sigh.]  Stallone’s also making noises about a Rambo prequel that he might direct but not star in.

Liam Neeson has dropped out of Steven Spielberg’s Abraham Lincoln project. It sounds like this project’s just been too long in development, basically, and there still isn’t even a script.  (Tony Kushner’s writing it.)  I think this film isn’t going to happen, because Spielberg’s doing his World War I flick next and then probably Indy 5.

Erica Cerra wants to play "Wonder Woman."

David Hasselhoff got roasted the other evening, and former Baywatch girls showed up to participate. That must have been fun.  In related news, some former Baywatch girls are about to get their own reality TV series, just like everybody else!

Mel Gibson is hiring! Don’t you love this?  Icon Productions is looking for its next batch of interns.  Really what they should be looking for are paralegals.

Spike Lee is doing a documentary on the BP oil spill, but BP won’t talk to him. Actually I think that’s because of how bad Inside Man was.

• AND IN TODAY’S MOST IMPORTANT NEWS … Percy Jackson star Erica Cerra says she’d like to play Wonder Woman. I’m glad somebody wants to play that role nowadays!  Erica’s already got a head start on everybody else because she doesn’t have tattoos …

And that’s what’s happening today in the wonderful world of Hollywood.

Posted on August 2nd, 2010 at 6:16pm.

Classic Movie Round-up, 8/2

Talos, from "Jason and the Argonauts."

By Jason Apuzzo. • If you’ve been looking for reasons to move to Blu-ray, you now have them: both Ray Harryhausen’s Jason and the Argonauts and Francis Coppola’s Apocalypse Now Redux (see here and here) are coming to Blu-ray.  For what it’s worth, Jason and the Argonauts was the first movie I ever owned on DVD – it’s what sold me on the format, actually, and this is the first digital upgrade of that film since the 1990s.  [Footnote: check out Greenbriar Picture show’s fine recent post on the great Ray Harryhausen here.]

Nancy Kovack as Medea in "Argonauts."

On the Apocalypse front, Lionsgate will be releasing the film along with a variety of other American Zoetrope classics in a new deal struck by the two companies.  The best news here is that Hearts of Darkness, the behind-the-scenes documentary by Eleanor Coppola on the making of Apocalypse, will also be included in one of the new Blu-ray sets.

Govindini and I had the pleasure years ago of sitting in on the editing and remixing by Walter Murch of Apocalypse Now Redux – and what an education that was!  I’ve never learned so much about sound mixing in such a brief, concentrated period of time.  As a sound and picture experience, Apocalypse is easily one of the greatest films ever.  So whatever hesitations you’ve had about Blu-ray, jettison them now.  The classics are truly now arriving on this format.

• A new DVD box set, The Kim Novak Collection, is coming out … and the lovely Ms. Novak has a long interview up today over at The New York Post.  What a star!  We’re so glad she’s still around and looking so lovely.

• Some of the very best Errol Flynn action pictures from the World War II period are finally coming to DVD in a new box set.  What took so long?  I’ve owned most of these for years – recorded off Turner Classic Movies – but it’s a shame it’s taken so long to get Desperate Journey, Edge of Darkness, Northern Pursuit, and Uncertain Glory to DVD (another film in this set, Raoul Walsh’s Objective Burma, has already been out for a while).  I’m a lifelong, confirmed Flynn fanatic, for those of you who don’t know.  [Side note: we showed a pristine print of Desperate Journey, featuring Flynn and Ronald Reagan, at the 2004 Liberty Film Festival.]  This box features some neglected Flynn classics – Desperate Journey and Northern Pursuit in particular are really crackling pictures, while Objective Burma is already widely regarded as one of the great World War II action spectacles.  Most of Flynn’s greatest films finally now have decent DVD releases … although there are still a few left that should get better treatment (such as Against All Flags with Maureen O’Hara).

• A handsome new coffee table book about Duke Wayne is being released, called John Wayne: True Grit American.  Click on over and check that one out.

Several of director Clarence Brown’s movies are just coming to DVD, including Conquest with Greta Garbo, and The Gorgeous Hussy with Joan Crawford.

• Chuck Heston’s early noir thriller Dark City is finally getting a DVD release – it was his first major starring role – along with the underrated Warner Brothers World War II thriller Background to Danger, starring Peter Lorre and Sydney Greenstreet in an adaptation of the Eric Ambler novel.  The film was directed by a favorite of mine, Raoul Walsh, and otherwise stars the lovely Brenda Marshall from The Sea Hawk (who was also at that time Mrs. William Holden).

Kimberly Lindberg’s has a great piece over at TCM’s Movie Morlocks on photographer Julius Shulman, who was so influential in defining the ‘L.A. modern look.’  Check that out.  I really love Lindberg’s writing.

• On the book front, a new biography is coming out on Josef von Sternberg, the LA Times has a review of the new book Furious Love about the Burton-Taylor romance, and a great-looking new book called Confessions of a Scream Queen is coming out, featuring interviews with (among others) Carla Laemmle, Coleen Gray, Kathleen Hughes, Karen Black, Ingrid Pitt, and Adrienne Barbeau!  Fabulous.  Govindini and I met Carla and Coleen a few years back, and I would love to meet the others – especially Ingrid Pitt!  She played Heidi the Barmaid in Where Eagles Dare.  Yowza.

New York Times film critic and Libertas reader A.O. Scott takes a look back at the Jean-Luc Godard classic, Contempt this week. It’s one of my favorites from Godard – possibly my all-time favorite.  Or is this simply my overreaction to Bardot?  Tough to say.  One thing’s for sure: Palance is quite a crack-up in that film.  Makes me laugh every time.  I also love how the limp, pitiful husband is a Communist.

The great Italian writer Cecchi d’Amico has died at age 96 in Rome. She wrote the screenplays for The Bicycle Thief and The Leopard, among many other classics.  Our condolences to her family, and to the Italian film community.

And that’s what’s happening today in the world of classic movies …

Posted on August 2nd, 2010 at 2:38pm.

Aint It Cool News Calls Terrorist Satire Four Lions ‘The Comedy of the Year’; Still No U.S. Release

By Jason Apuzzo. As regular LFM readers know, we loved Chris Morris’ striking new comedy about Islamic terrorism, Four Lions (see our glowing Libertas review from when the film unspooled at The LA Film Festival).

Four Lions is currently playing at the 2010 Melbourne International Film Festival (MIFF), and a reviewer for Aint It Cool News had this high praise for it:

The day ended with one of my most highly-anticipated films of MIFF, Chris Morris’s FOUR LIONS. There are so many comedians who operate under the assumption that they are “edgy” because they make lots of forced references to things they think are taboo. Chris Morris is one of the few who actually is, shining a sharp, satirical spotlight on our own hypocrisies.

FOUR LIONS, his first film as director and co-writer, is possibly the bravest skewering of cultural mores since LIFE OF BRIAN. When comedy shows or films proudly proclaim they have no political correctness, it usually means they like making fun of a politician’s obesity. FOUR LIONS genuinely discards political correctness, but in an exceptionally smart way, not allowing a single likable character, refusing to present anyone who (a) plays into our own comfortable stereotyped beliefs, or (b) allaying any white or middle-class guilt by having a “Good Muslim” or a “White Politician Who Actually Does Get It”. There are no safe havens in this film, and this — the story of four suicide bombers trying to attack a London target — is all the better for it. I probably missed about 50% of the jokes because I was laughing at the other ones, which is simply an excuse to see it again.

I don’t mind calling it early: FOUR LIONS is the comedy of the year.

We heartily agree.  Do whatever you can to see this film.  Unfortunately one of the things you won’t be able to do is see it in an American theater, because no company has picked it up for distribution here – even though it was a box office hit in the UK, won the audience award at the LA Film Festival, and was even a hit at Sundance.  And this is shameful, because this is an extraordinary film that people should be given the chance to see.

We will continue to bang the drum for this film here at LFM until it gets its American release.

Posted on August 2nd, 2010 at 12:46pm.