Day: December 8, 2015

Old School Beat Down: LFM Reviews Close Range

By Joe Bendel. Think Mexican drug cartel violence ends at our super well-guarded border? Colt MacReady knows better. Fortunately, the AWOL commando with authority issues is a match for any narco-terrorist outfit, but the situation his family finds themselves in is more real than we would like to admit. Regardless, bad guys are in for a big hurting in Isaac Florentine’s lean and mean Close Range, which opens this Friday in select theaters.

MacReady’s widowed sister Angela Reynolds remarried the wrong sleazy drug smuggler. When he tried to skim a few bucks off his last payment, the cartel abducted his step-daughter Hailey. That would be MacReady’s niece Hailey. He might not be around much, but he still isn’t about to stand for that, so he rescues her in the slam-bang opening sequence.

Of course, the cartel is hot on their trial, but their corrupt tool, Sheriff Jasper Calloway slows down MacReady and his family until the out of sorts Garcia Cartel arrives. Despite the wreckage MacReady left in Mexico, old man Fernando Garcia assumes a handful of guys can handle MacReady while he holds Angela and Hailey hostage. Right, good luck with that plan.

CloseRangePosterClose Range is not exactly what you would call pretentious, but it delivers plenty of old school, hardnosed action. This is what Scott Adkins and Isaac Florentine do better than any other tandem working in film today—and in Close Range they just do it without a lot worrying about character development or other extraneous business. Frankly, Adkins’ glowering presence is all the character establishment we really need. Imagine how awesome the next Batman movie would have been if he had been cast instead of Ben Affleck. We are all still bitterly disappointed about that, since his widely reported screen test gave us so much false hope.

To be fair, the criminally underrated Nick Chinlund manages to dig out an effective character development arc for the cowardly Calloway. When he and Adkins’ MacReady have their final face-off, it is as serious as a heart attack. For what it’s worth, Caitlin Keats and Madison Lawlor deal with Florentine’s furious pace and constant hail of bullets gamely enough, even if these were not the roles they had in mind during their time at the Actor’s Studio or wherever they trained.

It really is a pleasure to watch an unfussy action film, in which the fights and shoot-outs are clearly framed and pristinely watchable. Adkins has the chops and Florentine knows how to show them off. Anyone who grew up with Cannon’s Chuck Norris, JCVD, and Michael Dudikoff movies will have a nostalgic good time with it (sort of in the tradition of Avenging Force). Recommended for genre fans, Close Range is now available on VOD and opens this Friday (12/11) at the Arena Cinema in Los Angeles.

LFM GRADE: B

Posted on December 8th, 2015 at 8:32am.

LFM Reviews American Hero

By Joe Bendel. You’ll notice nobody is calling Melvin “the greatest,” or even relatively good. Frankly, on a lot of days the “hero” part is a bit of a stretch. Unlike Ralph Hinckley, he lacks a steady job, but he has plenty of vices. However, he has largely mastered his powers, but how he uses them is a constant source of frustration for his friends and family in screenwriter-director Nick Love’s American Hero, which opens this Friday in New York.

Melvin drinks, inhales drugs, sleeps around, and moves large objects with the power of his mind, such as it is. He is currently barred from seeing his son, pending a psych evaluation. This bothers Melvin, but not enough to make him clean up his act. That in turn bothers his wheelchair bound best friend Lucille—he’s a he, who suffered a spinal injury during the first Gulf War. A documentary crew is following Melvin, but it isn’t pretty. Since he is being filmed and all, maybe he will finally get his wake up call and resolve to put his telekinetic powers to use on behalf of Katrina-distressed New Orleans neighborhood. Or not.

AmericanHeroConsidering how much juvenile behavior it depicts, Hero is a remarkably sober and mature film. Acting like an Animal House reject just isn’t cute anymore for the people surrounding Melvin. Love is astute enough to understand that it is not funny. It’s sad. For a scruffy independent production, the special effects are also uncommonly polished and professional grade. The film also has a strong sense of place, capturing the look and rhythm of NOLA life in the outer wards.

Looking like a lifelong stranger to Schick and Gillette, Stephen Dorff is so charismatically disreputable, he maintains audience sympathy even at his most hedonistic nadir. He looks comfortable with the action sequences, but fully taps into Melvin’s pathos. Eddie Griffin is also dramatically less annoying as Melvin than his typical screen appearances. That is not to say he does not induce plenty of cringing, just not to his usual extent. Regardless, they forge some not bad buddy chemistry together.

Love happens to be British, but he has a fine eye and ear for local color. Years ago, the only way superhero movies could be credible was as small scale character studies, like Greatest American Hero or Hero at Large. American Hero feels like a refreshing return to that tradition. It is a nice little film that is affectionately recommended for superhero fans when it opens this Friday (12/11) at the Village East in New York and the Zeitgeist Arts Center in New Orleans.

LFM GRADE: B

Posted on December 8th, 2015 at 8:32am.

LFM Reviews Indigenous

From "Indigenous."
From “Indigenous.”

By Joe Bendel. There is a good reason why the Pan-American Highway has yet to penetrate the Darien Gap. For years, it has been a base of operations for the brutal Marxist FARC guerillas, who have kidnapped and murdered many hikers who unwisely ventured inside. Frankly, a group of hard partying American tourists is probably lucky to encounter the mythical Chupacadra instead in Alastair Orr’s Indigenous, which releases today on VOD.

Scott Williams and his hot new girlfriend Steph Logan are meeting up with his three hedonistic friends for some fun in the Panamanian sun. Trevor, the really annoying one, starts putting the moves on local bombshell Carmen, who thinks it would be great fun to check out the waterfall she used to enjoy swimming under, until the government declared the Darien Gap off limits. Her ambiguously platonic friend Julio makes her promise not to take the gringos there, but she does anyway. Chupacabra attacks ensue.

There is no point in beating around the bush. Indigenous is basically a cornball monster movie, but it is exactly the sort of half disreputable creature feature serious cult film connoisseurs periodically crave. It starts out promising, with a lot of cutting dialogue and plenty of eye candy (from both the bikini babes and surfer dudes). According to the press notes, Laura Penuela, who plays Carmen, was anointed “Best Body” in the 2009 Miss Colombia pageant, so obviously she was cast for her guitar-playing talent.

The problem is when the Chupacadra attacks, the film is so dark in a visual sense, it is almost impossible to follow the on-screen action. Granted, horror movies are usually scarier when you can’t see the evil antagonist, but in this case we are supposed to, but we still can’t. The character of Julio also becomes laughable ineffectual, as he spends most of the second half driving around aimlessly, while leaving pointless voice messages for assorted characters.

From "Indigenous."
From “Indigenous.”

However, the creature make-up is pretty good, at least when we get to see it. As for the ensemble led by the bland Zachary Soetenga and recognizable TV regular Lindsey McKeon (One Tree Hill, Supernatural), they are certainly all quite fit. Several also have a knack for snarky attitude, which is more than you might expect.

Indigenous is a mediocre film at best, but if that is perversely attractive to you, then definitely have at it, as long as we all understand where we are coming from. This is just the sort of teasingly chaste, occasionally gory exploitation film that never goes out of fashion. For those of you who know who you are, Indigenous releases today on VOD.

LFM GRADE: C

Posted on December 8th, 2015 at 8:31am.