LFM Reviews The Priests

By Joe BendelShamans are all well and good for minor spirit infestation, but if you are facing a 5,000 year old arch-demon, you need to go to the Roman Catholic Church. However, you can’t settle for a skeptical, hip and modern priest in the Pope Francis tradition. You need someone old school like Benedict XVI. It also helps if he is a little ornery. Father Kim Bum-shin definitely fits the bill. Unfortunately, he has trouble keeping assistants once they experience the long, perilous exorcism of Lee Young-sin. Good will battle evil short-handed in Jang Jae-hyun’s The Priests, which opens this Thanksgiving in Los Angeles.

Deacon Choi Joon-ho is the twelfth assistant deacon sent to help the maverick Father Kim in his epic mission. If that sounds vaguely familiar than perhaps you saw or read about Jang’s award winning short film, 12th Assistant Deacon, which he remade and expanded as the feature length The Priests. It might be longer, but you still will not find much padding here.

Lee Young-sin was once a member of Father Kim’s congregation, but she is no longer the innocent girl he knew. Frankly, the demon would prefer to possess a boy, which is why it tried to force her into committing suicide. However, even in her now vegetative state, Lee’s spirit is strong. Still, she is no match for the beast within her. Nor were Father Kim’s previous eleven assistants. The guilt-ridden Choi does not inspire much confidence either, but at least he was born in the year of the tiger, which apparently counts for a lot when you’re tangling with demons.

Jang stays faithful to the essence of his massively atmospheric short film, while expanding the scope rather effectively. The climatic exorcism remains the film’s signature scene and it is still all kinds of tense. However, Jang has added one wrinkle—the use of a pig as a temporary vessel for the exorcised spirits, in accordance with the Biblical exorcism of the Gerasenes demoniac (a.k.a. Legion). Presumably he had more budget available for animal wrangling this time around.

Regardless, The Priests is a gripping horror thriller that treats themes of good, evil, Catholicism, possession, and sacrifice with life-and-death seriousness. It is hard to top the original Exorcist from 1973, but the two films definitely share a close kinship. Along with his prior short, The Priests suggests Jang could be the next major genre filmmaker to emerge from Asia. Yes, they are that good.

From "The Priests."
From “The Priests.”

Oddly enough, the lesser known cast of the short film might just take the honors over the famous stars of The Priests. As always, Kim Yun-seok has a big presence as Father Kim, but at times his uber-gruffness borders on the perverse. Likewise, Gang Dong-won’s Deacon Choi is frustratingly callow and shallow before he gets his rude demonic wake-up call. However, Park So-dam will scare the pants off you as the slightly disturbed Lee Young-sin.

There is hardly any blood or gore in The Priests, because it runs deeper than that. Jang masterfully controls the mood, steadily cranking up the suspense and dread. He integrates a great deal of Catholic imagery and demonic archetypes alongside distinctly Korean elements, such as Father Kim’s shaman colleagues (they are on refreshingly good terms). Altogether, it is a highly distinctive, metaphysically unnerving horror film that will be perfect for family viewing this Thanksgiving night. Enthusiastically recommended for genre fans, The Priests opens tomorrow (11/26) in Los Angeles at the CGV Cinemas and next Friday (12/4) in New Jersey at the Edgewater Multiplex.

LFM GRADE: A

Posted on November 25th, 2015 at 12:19pm.

LFM Reviews Dead of Winter: the Donner Party on The Weather Channel

By Joe BendelHistory has been unfair to the Donner Party. While they are often collectively referred to as “notorious,” the Uruguayan soccer team’s 1973 plane crash in the Andes is considered an inspiring story of survival. Yet, both did similar things to stave off starvation. While many factors hindered the Donner Party’s passage to California, none were as punishing as the storms that left them snowbound in the Sierra Nevada Mountains. Somewhat logically, The Weather Channel branches out into original documentary production by chronicling and dramatically recreating the ill-fated 1846 expedition in Doug Glover’s Dead of Winter: the Donner Party, which premieres this Friday on the network.

Like so many who came before and after them, the group that came to be known as the Donner Party saw California as the land of opportunity. George Donner and James F. Reed were relatively successful in Springfield, Illinois, but they were convinced they could make substantially better lives for themselves with the California land grants. Their company of covered wagons was eager to get there as soon as possible, so they took a speculative shortcut called Hastings Cutoff. Obviously, it was a disaster.

Those who only know the Donner Party from its hazy reputation, might be surprised how quickly circumstances turned desperate for the group of pioneers and how long they resisted resorting to cannibalism. Arguably, their torturous crossing of the Great Salt Lake Desert was just as grueling as the snowstorms on the Sierra Nevada, but it came earlier in the trek, so it did not generate as drastic a death toll.

From "Dead of Winter: the Donner Party."
From “Dead of Winter: the Donner Party.”

Glover, screenwriter Raymond Bridgers, and the assembled historical experts are all good storytellers, who happen to be refreshingly forgiving of the Donner Party. With a few terrible exceptions, the pioneers conducted themselves just as well as the Uruguayan football players. Men like Donner, Reed, and diarist Patrick Breen just wanted their children to have better lives than they did, but they sacrificed horribly for the sake of their American dreams.

The quality of Dead of Winter’s historical commentary is considerably better than average, while having Powers Boothe (Red Dawn and 24) as narrator gives the film some seriously cool cred. The dramatic recreation cast also look period-appropriate and eventually quite weathered and bedraggled. It is a well-produced documentary that convincingly shifts the focus on the Donner party from the lurid details of cannibalism to their harrowing exploits of heroism. You could almost say Dead of Winter is revisionist, in a good way. Shrewdly, it is scheduled for the night after Thanksgiving (making turkey leftovers look all kinds of appetizing). Recommended for history and weather buffs, Dead of Winter: the Donner Party premieres this Friday (11/27) on The Weather Channel.

LFM GRADE: B

Posted on November 25th, 2015 at 12:18pm.