LFM Reviews Rotor DR1

By Joe BendelIt is the post-apocalyptic story of a boy and his drone. A few years ago, drones were a cause for concern among civil liberties activists, but they have apparently moved to more media-friendly causes. As a result, the field has been cleared for drone enthusiasts to rehabilitate the image of the Unmanned Aerial Vehicle (UAV). Thanks to the active collaboration of the drone community, UAVs will have their post-apocalyptic day in Rotor DR1, which just released on DVD from Cinema Libre.

In the future, apes will evolve from men, but before that, a catastrophic virus will wipe out most of the human population. It is a bleak world, where drones have more to fear from humans than vice versa. That is because the rag tag survivors covet the drones’ power source. Those uber-batteries are the only real currency left. Kitch (once known as Mitchell Scott, Jr.) survives by harvesting power cores and selling them to Hashtag, a dodgy intermediary working for 4C, who runs the only remotely organized outfit in the area.

One fateful day, Kitch captures a drone unlike any he has seen before. That would be DR1, a next generation prototype. Out of curiosity, Kitch starts to patch it up, leading to the stunning discover that it just might hold clues to the whereabouts of Kitch’s missing and presumed dead father, Dr. Mitchell Scott. The senior Kitch was the CEO of Medix, a company that specialized in medical delivery drones and infectious disease drones. Rightly or wrongly, many survivors blame Dr. Scott for the lousy state of the world. However, Kitch is determined to track down his old man, with the help of DR1 and 4C’s rebellious niece, Maya.

RotorDR1Although originally produced as a web-series, DR1 hangs together quite cogently as a feature. Apparently, the collective judgement of the drone community is usually pretty sound. There are a few plot holes big enough to drive a tractor-trailer through, but the aerial shots of the drones flying are impressive (frankly, the drone race is way cooler than Phantom Menace’s pod race) and the post-industrial, post-apocalyptic locales (Northeastern Ohio) truly look like a scarred wasteland. However, it seems the drone community likes its portentous narration, because there sure is a lot of it.

Even though he was stuck with excessive voiceover work, Christian Kapper’s turn as Kitch is impressively complex and understated. Tom E. Nicholson also makes a strong impression as 4C—sort of like a mature, less shticky Kevin Smith, while David Windestål scores points with his “guest appearance” as the drone scientist turned drone hunter. However, it should be noted the quartet of credited screenwriters never try to invest DR1 with a personality (a la Number 5 in Short Circuit). The implications of that are admirably realistic, but not particularly cinematic.

Regardless, it is nice to see a pro-science science fiction movie, especially one that falls within the post-apocalyptic subgenre. This might be the first film of the decade that does not demonize pharmaceutical companies, which certainly distinguishes it from the field. In many ways, it is an intriguing speculation on the future of UAV and AI technology. Recommended for fans of apocalyptic science fiction and the drone pilot reading over your shoulder, Rotor DR1 is now available on DVD and Blu-ray, from Cinema Libre.

LFM GRADE: B+

Posted on October 23rd, 2015 at 11:31pm.

LFM Reviews You’re Killing Me

From "You’re Killing Me."
From “You’re Killing Me.”

By Joe BendelEven the reality TV obsessed YouTube video-producing George and Barnes find Maya Angelou’s bromides ridiculously cheesy. However, they probably should take the one about “when someone shows you who they are, believe them the first time” a bit more to heart. Unfortunately, they assume good-looking Joe Palmer is joking whenever he talks about being a serial killer. Oh, but he’s not kidding. As a result, their circle of friends will dramatically contract in Jim Hansen’s pretty damn funny gay slasher comedy, You’re Killing Me, which screens as part of the inaugural Queer Horror Night at this year’s NewFest.

Palmer doesn’t really know his pop culture references, because he was just released from the nut house. It seems his treatment didn’t take. In the past, he only killed small animals, but he is about to graduate to people. Since he is not comfortable with sex, he will just kill his new boyfriend instead. At least the late Andy puts him onto George and Barnes’ videos. When Palmer makes a point of bumping into him, George assumes it is a meet-cute, but he really is stalking him. In fact, Palmer has an endless supply serial killer jokes. George thinks they are a riot, but they are the cold, hard truth. Eventually, Barnes starts to suspect something is not right about Palmer, but by that point, the bodies are really starting to pile up.

Frankly, YKM skewers our contemporary reality TV/viral-video obsessed society with more wit and satiric insight than just about any recent comedy, regardless of orientation. Hansen never really nostalgically calls back to fan favorite horror films of years gone by, but he is certainly not stingy when it comes to blood and guts. Essentially, the humor operates on two levels, blood splattered slapstick and highly exaggerated but still wickedly smart cultural criticism. If that isn’t enough for you, Mindy Cohn from The Facts of Life also shows up at the darnedest time.

Yet, despite the gory nuttiness, YKM still has a good heart. In large measure, this is due to the riffing camaraderie of George and Barnes’ friendship. Co-writer Jeffery Self and Bryan Safi are terrific as the aspiring celebrities. Self also maintains the energy level almost single-handedly when playing off Matthew McKelligon’s suspiciously reserved Palmer.

YKM’s characters are mostly gay (and they probably have to be, because not a lot of straight guys are so well versed on The Real Housewives of Beverly Hills), but the humor is blackly universal. If you enjoy films like Tucker & Dale vs. Evil, you should dig it just as much or more. Highly recommended for horror mash-up fans, You’re Killing Me screens this Sunday (10/25) at the Chelsea Bowtie, as part of NewFest 2015.

LFM GRADE: A-

Posted on October 23rd, 2015 at 11:29pm.