LFM Reviews 9/11: the Lost Hero

By Joe Bendel. On September 11, 2001 Jason Thomas only thought of himself as a U.S. Marine called to serve. That meant he did not hand out a lot of business cards and he certainly did not negotiate any back-end deals. As a result, Thomas’s identity remained a mystery for years after he spear-headed the dramatic rescue of two Port Authority Police Officers trapped in the rubble with another former Marine. His long untold story gets the right treatment in Steve Humphries’ British-produced 9/11: the Lost Hero, which premieres this coming Tuesday on Discovery’s Destination America.

Sgt. Thomas was no longer on active duty, but he still had his uniform in his trunk. When dropping his daughter at his mother’s house (as previously planned), Thomas heard the news of the terrorist attacks. Without hesitating, he donned his uniform and headed into the city, like a very human superhero.

Through happenstance, there is some rather remarkable primary-source video of Thomas rushing towards the World Trade Center site. There is no question he was there. For hours, he helped first responders tend to the wounded, but he really wanted to search for survivors amid the wreckage. Eventually, he and former Staff Sgt. Dave Karnes did exactly that, ignoring all warnings to avoid the unstable debris. Tragically, there did not seem to be any survivors to rescue, only remains to secure, until they heard a faint cry for help. That was Will Jimeno buried deep beneath them, with fellow officer John McLoughlin trapped well below him.

Talking at great length in Lost Hero, Jimeno unreservedly credits Thomas and Karnes for their survival. It was indeed quite the tense operation, chronicled by Humphries with step-by-step precision. Yet, for years Jimeno was unable to properly thank Thomas—though not from a lack of trying.

From "9/11: the Lost Hero."

Thomas might be the only man to draw breath that was ever able to get Oliver Stone to make an apology. In retrospect, it must be rather embarrassing for him to have cast a white actor to play Thomas in World Trade Center, which largely focused on their rescue efforts. However, the release of the film became the catalyst for Thomas finally receiving proper recognition. Although Humphries is rather circumspect addressing the issue, it is also pretty clear Thomas wrestled with post-traumatic stress during the years immediately following 9/11, until he finally started discussing his experiences with his family. Indeed, his story is helpful, instructive, and inspiring in a number of ways.

The vivid, visceral recollections of Thomas and Jimeno really give viewers a tactile sense of their fateful encounter. There is also quite a satisfactorily uplifting conclusion to it all. Somehow, September 11th has gone back to being just another day for a lot of people, so Lost Hero is a necessary reminder of the enormity of the attack and the heroism of the response. Highly recommended, 9/11: the Lost Hero airs this coming Tuesday (9/8) on Destination America.

LFM GRADE: A

Posted on September 4th, 2015 at 8:47pm.

LFM Reviews The Transporter Refueled

By Joe Bendel. They look like they stepped out of a Robert Palmer video. Frank Martin’s latest clients are highly synchronized and they need a driver. They will repeatedly break his rules, but their desperation makes them quite persuasive. Of course, Martin always keeps his cool in the latest re-configuration of Luc Besson’s strangely resilient franchise. Deliveries will be made in Camille Delamarre’s The Transporter Refueled, which opens today nationwide.

Clearly, Martin got his keenness for punctuality from his chop-busting father, who has just retired from an ambiguous government career that came with a cover job as a salesman for Evian (it’s “naïve” spelled backwards). He ought to be a little more resourceful, but somehow Frank Senior allows himself to be taken hostage by four women trafficked into prostitution by a Russian vice lord. Anna, Gina, Maria, and Qiao know they cannot simply run away from Arkady Karasov. They will have to hit his network where it counts—in the wallet. Thus, Martin reluctantly serves as their wheelman for a series of clever heists, while his father jolly well enjoys being a hostage.

When it comes to films set in Monaco, Refueled beats the stuffing out of the justly infamous Grace of Monaco. Delamarre understands what Transporter movies are supposed to be and executes accordingly. There are at least two action sequences that are ludicrously over the top, but what of it? It is not like the film slows down long enough for us to analyze the aerodynamics of any given scene. Cinematographer Christophe Collette also makes the Principality backdrops sparkle quite alluringly.

Ed Skrein has a strange look. It’s like you can see the exact shape of his skull because there is only a thin layer of skin stretched over it. He also has an odd screen presence, coming across as intense, but somehow simultaneously disdainfully disinterested in everything around him. Yet, that sort of works for Frank Junior. He has all kinds of cred in the fight scenes, but Ray Stevenson gets all the laughs as his cooler, funnier dad. His shameless scenery chewing is a major reason why the film is such deliriously guilty pleasure.

From "The Transporter Refueled."

Loan Chabanol, who attracted notice with her short but memorable appearance in Fading Gigolo, can’t project the same élan as Anna, but it is hard to compete with all the black Audis flying through the air. It is also a shame former Miss World Yu Wenxia does not have more screen time, because she seems to have a bit of a spark, but most of the time Anna’s three amigos just strut about in the background, to raise our awareness of human trafficking. What did you expect, really? Frankly, the film’s real shortcoming is its interchangeably generic villain. We have seen plenty of cats like Radivoje Bukvic’s Karasov done before and done better (Michael Nyqvist in John Wick springs readily to mind).

Refueled does not want to hear any whining about messages or characterization. It is a self-aware meathead movie that delights in its own shallowness. Style and energy are all that matter in a Besson-produced action joint, but Delamarre brings more than enough to keep the boss happy. Sort of a weird early 2000’s nostalgia trip for franchise fans that will also resonate for the original MTV generation, The Transporter Refueled is recommended for those who want a shiny object to distract them. It opens across the country today (9/4), including the AMC Empire in New York.

LFM GRADE: B-/C+

Posted on September 4th, 2015 at 8:47pm.