LFM Reviews TNT’s The Librarians; Premieres Sunday, 12/7

By Joe Bendel. Flynn Carsen is a librarian Kramer would approve of. He does not spend a lot of time putting newspapers on big wooden sticks for cheapskates trying to save a quarter and probably doesn’t even know the Dewey Decimal System. Instead, he spends his time tracking down magical items to keep them out of the hands of potential evil-doers. The protagonist of TNT’s hit television movie franchise The Librarian is now a recurring character in their new regular series, The Librarians, note the plural form, which debuts with back-to-back episodes (The Librarians and the Crown of King Arthur and The Librarians and the Sword and the Stone) this Sunday.

Carsen has two last names and twenty-two college degrees. The perennial student was chosen by “the Library,” the mystical apostolic successor to the great Library in Alexandria, now hidden beneath the Metropolitan Public Library in New York. Having held his own in a series of adventures, Carsen is rather put out when the Library recruits Col. Eve Baird, a no-nonsense counter-terrorism operative to be his Protector. However, he will reluctantly accept her help when the shadowy Serpent Brotherhood starts assassinating all the weird genius rivals he beat out for his current globe-trotting gig. In fact, the only former candidates still surviving are the three oddballs who never made it in for their interviews.

Jacob Stone is an unassuming laborer in the Oklahoma oil fields, who writes scholarly articles on medieval art and history under an assumed name. Ezekiel Jones is a thrill-seeker, who likes to steal the things Stone writes about. Cassandra Cillian has savant-like powers of memory and superhuman computation, but it might be linked to the tumor that will eventually kill her. Together with Carsen and Baird, they will track down several Arthurian relics the Brotherhood needs to control the magic they intend to let loose upon the world.

The Librarian one-offs might have been popular, but they must have skewed toward a decidedly younger demographic. While the premiere episodes, directed in a straight forward manner by Independence Day producer Dean Devlin, never descend into outright slapstick, the dominant acting style practiced is decidedly broad. This is especially so for Noah Wyle’s Carsen and hammy John Larroquette, joining the Librarian world as Jenkins, the curmudgeonly manager of the Library’s branch office (evidently in Portland of all places), who is clearly being set up to serve as the Giles-Watcher to the three new recruits. However, Rebecca Romijn demonstrates decent action chops and an appealingly down-to-business screen presence as Baird.

From "The Librarians."

The villains are not bad either. Matt Frewer returns to chew a bit of scenery as the Brotherhood’s immortal overlord, Dulaque and Lesley-Ann Brandt’s unfortunately named Lamia is a promising femme fatale. It is hard to judge from just two episodes, but John Kim and Christian Kane at least seem comfortable in the parts of Jones and Stone. In contrast, Lindy Booth may need some time to figure out how to breathe life into Cillian, a passive naïf character written somewhere between a door mouse and door mat.

Guys of my generation probably would have loved this show when we were twelve years old. There is magic and adventure, but it feels old fashioned in a 1980s network television kind of way. To an extent, it is like the Friday the 13th series, with fantasy trappings instead of the supernatural horror (it also lacks the evil antiquing show’s distinctive vibe). It is harmless and might serve as a productive stepping stone for Romijn, but it will underwhelm most adult genre audiences. For franchise fans, the first two episodes of The Librarians debut on TNT this Sunday (12/7).

Posted on December 5th, 2014 at 2:51pm.

Know When to Walk Away, Know When to Run: LFM Reviews Poker Night

By Joe Bendel. In this case, poker is not a metaphor for thermonuclear war or anything else. It is a social convention. As a rookie detective in Warsaw, Indiana, the newbie is expected to lose money and listen to the stories of the crafty veterans to gain from their hard-earned experiences. Unfortunately, he will only have one night of lessons to apply before he is abducted by a serial killer in Greg Francis’s Poker Night, which releases on VOD and in select theaters today.

Jeter made a name for himself breaking a big case, but at least one of the grizzled detectives is not convinced the whippersnapper deserves his seat at the table. However, the legendary Det. Calabrese (played by Ron Perlman) is in his corner, so end of discussion. Each of the four greybeards relates an anecdote with practical applications that Jeter will realize over time, as he languishes chained up in the hooded maniac’s customized basement.

Much to Jeter’s distress, his captor is also holding Amy Maxwell, the daughter of his least welcoming colleague, with whom he has been carrying on a dangerously flirtatious but not yet criminal relationship. He quickly draws his first conclusion: his predicament is not random. It is personal.

Poker Night is about as uneven as a film can get. When it features great character actors like Perlman, Giancarlo Esposito, and Titus Welliver trash talking and telling sea stories, it is a lot of fun. Unfortunately, the vanilla Beau Mirchoff is no match for any of them, yet he carries the film’s dramatic load. He even takes their places on camera as he starts to envision their stories through his eyes.

From "Poker Night."

Still, there is a distinctive streak of pitch black humor running through the film. Francis also turns a few good twists, but he does not know when to stop. The ultimate ending (following several false stops) makes absolutely no sense within the film’s narrative context. Sensitive viewers should be further warned, Poker Night can get a little rough. Strictly speaking, it is more of a thriller than a horror film, but you can definitely see the Saw franchise from here.

Arguably, Poker Night’s concept would work better as an ongoing television show than a one-shot feature. Each week, a different reminiscence could illuminate dumb plodding Jeter’s latest case. It would also force the showrunner to keep things more focused and grounded, which would be all to the good. Nevertheless, it is hard to get really down on any film that lets Perlman and Esposito do their thing. Strictly for the cult stars’ fans, Poker Night launches on VOD and opens simultaneously in limited release today (12/5).

LFM GRADE: C+

Posted on December 5th, 2014 at 2:51pm.