LFM Reviews 8 Bullets @ The 2014 Toronto International Film Festival

By Joe Bendel. A man who survived a violent attack on his family will seek revenge largely by relying on his sense of smell. That will very likely be as problematic in practice as it sounds. Indeed, the protagonist’s memories and perceptions are all subject to question throughout Frank Ternier’s stylish but unsettling animated short 8 Bullets, which screens during the 2014 Toronto International Film Festival.

Gabriel is a French expat living in Taipei. His backstory remains mysterious, but as we learn from the disembodied bystanders, he was the victim of a red-headed gunman’s vicious assault. Evidently, he wife was killed and his daughter was wounded in the leg, but Gabriel somehow survived a shot to the head, or at least that is the version he believes. Regardless, he has not been the same since that fateful day.

For the last six months, Gabriel has prowled the streets looking for a red-headed gangster who smells of fried food. He carries an equalizer, fully loaded with said bullets for when he finds his prey. It is all very hardboiled, even though Gabriel’s sanity is clearly rather tenuous.

From "8 Bullets."

Ternier’s stylistic approach suggests the sort of films David Lynch makes are better suited to animation rather than live action. Although Ternier tells a strictly linear narrative, his visuals dramatically reflect the warped and unreliable perspective of his protagonist. He also nicely expresses Gabriel’s sense of otherness as a Frenchman in a foreign land.

While Ternier lays on the closing irony pretty heavily, his hip noir sensibility is rather cool overall. Most importantly, the animation is quite distinctive, evoking traditional watercolor techniques as well as contemporary comic art. Recommended for fans of animation and film noir, 8 Bullets screens again this Saturday (9/13) as part of Short Cuts International Programme 4 at this year’s TIFF.

LFM GRADE: B+

Posted on September 10th, 2014 at 6:25pm.

LFM Reviews Backcountry @ The 2014 Toronto International Film Festival

From "Backcountry."

By Joe Bendel. Hipsters like to think nature is romantic and awe-inspiring. Actually, it is dangerous and uncomfortable. Alex thinks he will prove the former idealized view to his reluctant girlfriend Jenn, but instead he will simply confirm the latter in spades during the course of Adam MacDonald’s Backcountry, which screens during the 2014 Toronto International Film Festival.

Alex insists this trip is going to be so awesome, because he will show Jenn his favorite trail to hike. You see it leads to this totally cool lake. Of course, he knows these woods so well he does not even need to pick up a map at the ranger station. Frankly, it is rather baffling why she didn’t just dump his butt in the car. She will soon wonder about that herself, but before she reaches that point, they run into Brad, a slightly intense trail guide, whom brings out Alex’s competitive instincts.

Eventually, Brad takes his Irish accent and moves on, but the couple remains uneasy. After all, it is obvious to Jenn that the stranger knows the territory much better than her boyfriend. In fact, Alex soon has them hopelessly lost. With their water and provisions depleted, the not so happy campers soon see signs of bear activity.

Although billed as a thriller, Backcountry is more closely akin to Lee Tamahori’s under-appreciated The Edge. While nobody compares to Sir Anthony Hopkins, MacDonald’s cast is definitely more accomplished than that of Christopher Denham’s Preservation, another natural comparison title. However, Denham wastes little time cutting to the chase, whereas Backcountry is rather slow out of the blocks.

From "Backcountry."

It is worth repeating, if you want to survive in the wild, stick with the city folk, because you can trust their survival instincts far more than those of the granola outdoorsy types. Jenn will be a case in point. Missy Peregrym is suitably down-to-earth as the down-to-business Jenn. Not afraid to get muddy, she comes to look like she is surviving quite an ordeal. In contrast, Jeff Roop’s whiny portrayal of Alex does not wear as well. However, it is nice to see Nicholas Campbell (of Da Vinci’s Inquest) appearing briefly as the park ranger and confirming Backcountry’s Canadian bonafides.

MacDonald nicely stages the film’s natural perils (definitely including an animal attack here and there), but the relationship issues are probably a bit too prominent in the dramatic mix. Never dull (but sometimes exhausting for the wrong reasons) Backcountry is an imperfect but competently executed survival story that will probably count on plenty of local support when it screens again at this year’s TIFF.

LFM GRADE: C+

Posted on September 10th, 2014 at 6:24pm.