Gina Carano Misplaces Her Husband: LFM Reviews In the Blood

By Joe Bendel. You would think two recovering addicts would go to a tightly controlled “Club Med” environment for their honeymoon. Instead, the Grants visit the most corrupt island in the Caribbean. They stay on the wagon, but even more serious problems develop. When the new Mr. disappears, the new Mrs. will unleash all her street-fighting skills to find him in John Stockwell’s In the Blood, the newest vehicle for MMA star Gina Carano, which opens this Friday.

Ava’s father Casey was an original hardcase, who taught her how to fight good and hard. Even during her strung out days, following his untimely demise, she could take care of her would be predators. She cleaned up when she met the well-heeled Derek Grant in rehab. His father is not exactly thrilled with their union, but has stopped fighting it. Aside from a little dust-up in a club, their honeymoon is all very sweet and romantic—until the zip-line accident.

Unfortunately, that is not even the worst of it. Mysteriously, the ambulance carrying Grant to the central hospital never arrives with the patient. Of course, the fat and lazy police chief is happy to shift suspicion onto his ex-junkie wife, finding a receptive ear in old man Grant. Determined to find her husband, Ava Grant sets out to give the Jack Bauer treatment to every lying witness and corrupt cop in her path.

In the Blood is a pretty straight forward martial arts programmer, but it maintains Carano’s viability as an action star. There are several down-and-dirty fight sequences that nicely showcase her chops. She also gets nice support from a colorful cast of supporting characters, including Luis Guzmán and Danny Trejo (who kills it in his final scene). It is also impressive to see that Stephen Lang continues to get rougher and tougher with age during his brief flashback scenes as dear old dad. As a Twilight alumnus, Cam Gigandet does not inspire much confidence, but he manages to scratch out some okay chemistry with Carano.

For genre fans, In the Blood could be considered the rough equivalent of early Van Damme films. The plots were never extraordinary, but they were serviceable enough to build up his credibility as an action star and a romantic lead. In the Blood serves the same function for Carano, even with its unfortunate and potentially spoilery title. Stockwell does an okay job framing the action, but he is no Isaac Florentine, let alone a Dante Lam or Wilson Yip.

Still, Carano delivers on her end. She has screen presence and chops. In the Blood will not take her to the next level, but it will keep her existing fanbase engaged and ready for more. Enjoyable as a quality B-movie with serious MMA aptitude, In the Blood is recommended for genre enthusiasts when it opens this Friday (4/4) in New York.

LFM GRADE: B-

Posted on April 2nd, 2014 at 11:08pm.

A Talky Apocalypse: LFM Reviews Goodbye World

By Joe Bendel. Rat race dropouts James and Lily live in the place where hippies and survivalists intersect. Given its strategic hilltop position and the well-stocked freezers full of food and medicine, their Mendocino County home will provide refuge to a number of their long lost college friends. Unfortunately, human nature keeps doing what it does in Denis Henry Hennelly’s Goodbye World, which opens this Friday in New York.

Nick and Becky were already en route for an awkward weekend visit to his estranged college pals. He was once engaged to Lily and business partners with James, until the hypocritical hippie forced him out over a philosophical disagreement. That is a lot of shared history, but surely they ought to be able to put it aside once the apocalypse hits, right?

Of course, it is hard to get reliable reporting on the freshly minted end of the world. Fortunately, they can rely on the analysis of Laura, another college chum, who was recently an aide to the chairman of the Homeland Security committee, until a leaked sex tape ruined her career. To further increase tensions, their Bill Ayers-lite college professor pal and his latest coed conquest also make their way to their Northern California refuge. To round out the cast of problematic houseguests, their weirdo hacker pal Lev Berkowitz turns up in state of near catatonia, openly inviting viewers to suspect he might have had a role precipitating the cyber attack.

Somehow, millions of smart phones simultaneously received the same cryptic text: “goodbye world.” Then systems started failing left and right, leading to riots in the street. James believes they can sit tight for several years, presuming they can stomach each other, until ominous outsiders start showing up and making demands.

Frustratingly, the sketchy details Hennelly and co-writer Sarah Adina Smith dole out on the early process of Armageddon are far more intriguing than the post-apocalyptic melodrama. For the most part, these are shallow, self-absorbed creeps. Even James & Lily’s daughter is an entitled princess. Still, making the scandal-tarred Laura an American Revolutionary War re-enactor is a nice bit of character detail.

As in the nearly unwatchable First Winter, the end of the world and the widespread casualties that result do not seem to cause anyone much lasting sorrow. Instead, they are preoccupied with their own petty jealousies and resentments. It is one thing to compartmentalize, but that is just cold. Logically, Gaby Hoffman fares the best amid the large vanilla ensembles, since she is blessed with the most distinctively limned character.

To be stuck in the same house as these people would be a fate far worse than any urban anarchy. The special effects team nicely evokes the end times with some subtle but clever bits of business, but Hoffman cannot single-handedly compensate for the massively boring characters her Laura must deal with. Although it gets out of the blocks quickly, Goodbye World soon loses steam. Best saved for fanatical hippie survivalists, it opens this Friday (4/4) in New York at the Village East.

LFM GRADE: C-

Posted on April 2nd, 2014 at 11:01pm.