StoryCorps for Thanksgiving: LFM Reviews Listening is an Act of Love

By Joe Bendel. Think of it as the less noir version of Naked City with its eight million stories. Dave Isay founded StoryCorps in the belief that there were real life stories out there from everyday people that deserved to be recorded for posterity. For ten years, StoryCorps crews have collected oral histories across the country. Sometimes the stories were funny and sometimes poignant, but their inherent drama has become a source of constant inspiration for the Rauch Brothers. Their short animated adaptations of StoryCorps transcripts have become staples of short film festivals and have regularly been peppered throughout seasons of POV. Fittingly for Thanksgiving and the first day of Hanukkah, POV will premiere its first ever animated special, Mike & Tim Rauch’s Listening is an Act of Love on PBS stations nationwide.

As a wrap-around framing device, Isay’s young nephew Benji interviews his uncle to find out just why he does all this anyway. He has a memorable answer that nicely establishes the theme of Listening: family. The POV special includes four new stories, but begins and ends with two old favorites—and it is not hard to understand why those two struck such a chord with audiences. In the gleefully funny Miss Devine, two cousins swap memories of the titular Sunday School teacher who was a stern, unyielding presence during their summer vacations. Both James Ransom and Cherie Johnson are natural storytellers and the way they crack each other up is appealingly infectious.

Things get more serious and more family-focused during Listening’s debuts, starting with Making It, a simple but inspiring story of the American dream. On the eve of becoming the first in his family to go to college, Noe Rueda reflects on the difficult jobs he held to help his single mother make ends meet. It is probably the most touching segment of the POV segment, even if it is somewhat open-ended. The following Marking the Distance tells the story of a brain tumor survivor, who lost her short term memory, but has since become an accomplished marathoner thanks to the support of a boyfriend. It is a nice, feel-good story, but perhaps the least distinctive of the special.

Arguably, The Road Home gives Listening its greatest emotional pop. Eddie Lanier tells his story of how he went from being the privileged son of a prominent North Carolina mayor to a skid row drunk, until a good Christian Samaritan took him into his home. Wider in scope than the rest of the special, Lanier’s unabashedly redemptive story would be perfect for a Hallmark original film. There is also unexpected power in the twist to the tale Jackie Miller tells her adopted son Scott in Me & You, which has something for pro-life viewers and fans of Modern Family, alike.

Listening concludes with an encore appearance of No More Questions! Kay Wang was not one to suffer fools gladly, but her son Cheng and granddaughter Chen had learned to appreciate her forceful personality. Somehow, they managed to get her to sit for a StoryCorps session, laughing their way through her uncooperative responses that so aptly reflected her personality. In fact, they are probably rather glad it turned out that way in retrospect, judging from the bittersweet postscript.

The Rauch Brothers have a real facility for matching the expressions of their animated figures to the recorded interviews. In fact, they have been known to nail the likenesses and mannerisms of the speakers without having anything to model them on, besides their spoken words. Frankly, it is always reassuring to see a StoryCorps film in a festival’s shorts programming block, because of the Rauch Brothers’ commitment to quality. Recommended for post-turkey family viewing, Listening is an Act of Love airs on most PBS outlets this Thursday night (11/28) as part of the current season of POV.

LFM GRADE: B

Posted on November 26th, 2013 at 2:31pm.

Korea Takes a Stab at Time Travel: LFM Reviews 11 AM

By Joe Bendel. Woo-seok’s shady Russian oligarch patron named his prospective time machine “Trotsky” in the belief history would have turned out radically better if he had bested Stalin in their power struggle. They should have called “Ice-Pick,” considering the mayhem it will cause Woo-seok’s research team. They will struggle to cheat fate in Kim Hyun-seok’s 11 A.M., which opens this Thanksgiving Thursday in Los Angeles.

Everyone knows Woo-seok’s obsession with time travel stems from the untimely death of his wife, regardless of what Hawking says about it. Likewise, many suspect his protégé Young-eun hopes to meet her late theoretical physicist father in the future. His chief deputy Ji-wan is more skeptical. Nonetheless, their wheelchair-bound benefactor ponied up the funds for their undersea facility for his own personal reasons. Unfortunately, the financial spigot will be cut-off unless Woo-seok produces results fast. Against Ji-wan’s advice, he and Young-eun embark on a journey to tomorrow, at 11:00 a.m.

The good news is Trotsky works. The bad news is they discover the lab has been (or will be) destroyed by a series of explosions. As they investigate, Woo-seok is attacked by a mysterious assailant. Whisked back to the previous (current) day without Young-eun, Woo-seok and his crew must determine the source of the impending disaster, as the clock ticks down.

As time travel films go, 11 AM’s internal logic holds together fairly well, explaining its big head-scratching twists in due time. It also has a patina of credibility in the way it acknowledges Hawking’s event horizon. Yet, despite the sci-fi MacGuffin, it is human nature rather than science that poses the gravest danger in Park Su-jin’s screenplay.

From "11AM."

Frankly, Korean film fans will be surprised to discover Kim Hyun-seok, previously a specialist in jaunty rom-coms like Cyrano Agency, had this in him. He nicely balances the more macabre Final Departure-Then There Were None elements with the cerebral scientific speculation. Production designer Kim Minio’s team also creates a credible sci-fi environment, before it all gets blown to smithereens.

The cast goes to piece rather effectively, as well. As Woo-seok, Jung Jae-young is wound wickedly tight, while still exhibiting the intellectual facilities of a man of science. Likewise Kim Ok-bin makes the most of Young-eun’s big revelation scenes, the likes of which actors only get in genre films.

Nacho Vigalondo’s Timecrimes is still probably the gold standard of contemporary time travel movies, but 11 A.M. is a smart and grabby addition to the sub-genre canon. Sort of a SF chamber drama, but with first rate production values, 11 A.M. is recommended pretty enthusiastically for time travel fans when it opens this Thanksgiving (11/28) in Los Angeles at the CGV Cinemas.

LFM GRADE: B+

Posted on November 26th, 2013 at 2:27pm.

LFM Reviews The Johan Falk Trilogy, Now Available on DVD

From the Johan Falk trilogy.

By Joe Bendel. By Swedish standards, Johan Falk is practically Dirty Harry. For obvious reasons, he has rather strained relations with Gothenburg’s top brass. In fact, he is kind of-sort of forced to take justice kind of-sort of private in Anders Nilsson’s Johan Falk Trilogy, the first three installments of the Swedish theatrical/straight-to-DVD franchise, which are now available as a three-DVD set in America from MHz Networks.

Falk has no living family. His only friends are cops. It is also implied he has more than enough money for his needs. That does not leave a lot of pressure points for a gangster like Leo Gaut to squeeze in Zero Tolerance. Not one to follow protocol, Falk drops by Gaut’s pad to express his disappointment after the murder suspect forces the three witnesses testifying against him to change their stories. In retrospect, leaving his fingerprints behind was something of a mistake. Framed for assaulting Gaut, Falk goes on the lam to clear his name. Easily the weakest of the trilogy, Zero is mostly standard issue Fugitive stuff, but it perks up a bit during the third act.

While Falk is back on the force when Executive Protection begins, the handwringing commissioner has relegated him to a future of endless paperwork, despite the protestations of his superior officer, the ever patient Sellberg. Tired of cooling his heels, Falk will do what he does best when a childhood friend asks for his help. Sven Persson had hired Nikolaus Lehman, a former Stasi agent turned international consultant, to deal with a protection racket targeting his Estonian factory. Not surprisingly, the cure turns out to be worse than the disease. Of course, the cops are incapable of taking preventative action, so Falk signs on with the private security firm run by his old colleague Mårtenson, to handle Persson’s case personally.

A well turned crime drama-grudge match, Protection gives viewers ample opportunity to see Swedes lock and load. It also features private contractors as the good guys and an old Commie as the bad guy. As Falk, Jakob Eklund makes a completely credible hard-nosed action figure. He also broods nicely during moments of existential angst. Series screenwriters Nilsson & Joakim Hansson keep the tension building while establishing several key themes they will revisit in The Third Wave.

From the Johan Falk trilogy.

It is Mårtenson who first uses the Toffler-esque term to describe the concerted campaign of shadowy octopus-like syndicates to secretly acquire legitimate businesses, but Falk’s former boss Sellberg picks up on it when he is appointed the EU’s top cop for organized crime. His get-tough rhetoric attracts the attention of a British banker, whose abusive husband Kane specializes in facilitating dodgy transactions. Fearing her testimony, Kane’s co-conspirators send a hit squad after her, but the unsuspecting Falk just happens to be vacationing in The Hague.

Forced to improvise, Falk will struggle to protect Sellberg’s witness as well as his girlfriend and her daughter. He will have some help from Devlin, a British security specialist, who is slightly disappointed to discover the firm he founded was acquired by a conglomerate with secret mob ties. Again, Nilsson & Hansson keep the stakes high, uncorking an early shocker and staging considerable melee during the big climax, which casts radical WTO protestors in a decidedly negative light.

Falk wears well on Eklund and he gets some effectively gritty support from British actors Nicholas Farrell (of Chariots of Fire fame) and Prime Suspect alumnus John Benfield, as Devlin and his chief deputy Stevens, respectively. Veteran Swedish actor Lennart Hjulström also lends the entire series some stately gravitas as Sellberg.  A solidly entertaining series overall (especially Protection and Wave), the Johan Falk Trilogy is recommended for fans of both British and Scandinavian mystery series. Recently released on DVD from MHz, it is now available for Thanksgiving binge viewing.

Zero Tolerance LFM GRADE: B-
Executive Protection LFM GRADE: B+
Third Wave LFM GRADE: B+

Posted on November 26th, 2013 at 2:23pm.