LFM Reviews Together @ The 2013 Asian American International Film Festival

From "Together."

By Joe Bendel. The teenaged Xiao Yang is not exactly Cyrano de Bergerac. Nevertheless, he will do his best to recycle both love letters and lovers. The course of true love never runs smooth, but he will sometimes help it along in Hsu Chao-jen’s multi-character rom-com, Together, which screens this Saturday during the 2013 Asian American International Film Festival.

Scooping up his classmate’s discarded love letter, Xiao Yang is determined to put it to good use. Perhaps his buddy Ma Chih-hao can re-purpose it. Having just dumped his girlfriend, Ma pines for the cute cashier working at their favorite bakery, whose manager in turn nurses a crush on Xiao Yang’s older sister. Of course, she is already involved with a rich jerk, who does not think much of Xiao Yang.

Yes, this is the sort of film where viewers could use a flowchart to keep track of who likes whom. However, his parents’ relationship is easy to pick-up on. The magic has left the easy going Bin’s marriage toward the more assertive Min-min. Ironically, the print shop proprietor soon finds himself producing wedding invitations as his own marriage takes a chilly turn. The free-spirited Lily has recently returned to their Taipei neighborhood to marry Haru, the staid owner of the local Japanese bookstore. Yet the strangely ambiguous chemistry between her and Bin is still there.

From "Together."

Despite all the romantic confusion, the tone of Together is much more bittersweet than cutesy. In fact, for domestic audiences, it is downright nostalgic, given the casting of Kenny Bee and Lee Lieh as Xiao Yang’s parents, who were amongst the break-out co-stars of the classic melodrama The Story of a Small Town. Of course, it is all headed toward a happy place, but there are more surprises and less sentimentality in the third act than one might expect.

Happily, Huang Shao-yang’s Xiao Yang grows on viewers over time, as his character starts using his brattiness for good rather than ill. His presence somewhat suggests a young Taiwanese Leonardo DiCaprio, except he is already considerably more manly (as is everyone else in the cast). Bee remains charismatic in middle age, nicely crooning the film’s signature love song. Supermodel-actress Sonia Sui lights up the screen as Lily, while developing some reasonably believable chemistry with the significantly older Bee. Lee Lieh also does her best to punch-up Min-min, despite her somewhat problematic scoldiness.

Indeed, Hsu definitely favors Bee’s Bin over the rest of the large ensemble. Still, he invests the film with a forgiving vibe that is rather endearing. His unhurried pace might be a bit too languid for slavishly conventional viewers, but Hsu has a good eye for composition and Blaire Ko’s slightly latin-ish score helps it all go down quite smoothly. Recommended with a fair degree of affection for those who enjoy slightly offbeat love stories and family dramas, Together screens this Saturday (7/27) at the New York Institute of Technology, as part of this year’s AAIFF.

LFM GRADE: B+

Posted on July 25th, 2013 at 1:07pm.

LFM Reviews Innocent Blood @ The 2013 Asian American International Film Festival

By Joe Bendel. James Park ought to know [in]famous undercover detectives never just retire, especially when their biggest case holds some decidedly ugly secrets. The cop-turned-professor will have to revert to his old ways when his young son is kidnapped by a mystery man with revenge on his unhinged mind in DJ Holloway & Sun W. Kim’s Innocent Blood, which screens this Saturday during the 2013 Asian American International Film Festival in New York.

Park knows crime, but with his limited academic credentials he can only land a community college teaching gig. He plans to go back for the right degrees, once his wife Susan finishes law school. It has been hard on their son Cody, who does not see his mother nearly as much as they both would like. As a result, when her husband’s nemesis abducts the young boy, she suffers from an acute attack of guilt.

Prohibited from contacting the authorities, Park will have to figure out just what the kidnapper wants on his own. It all seems to revolve around Brad Lee, a human trafficker framed for a crime he technically did not exactly commit. Park’s first clue will be the trail of dead bodies he cannot explain to Carl Grierr and Jim Collins, the odd couple detectives doggedly tailing him.

While the harsh realities of human trafficking remain off-camera throughout Blood, it is an issue the filmmakers feel strongly about. Like the T.O.M. Film Festival co-founded by screenwriter-co-director Kim, Blood was envisioned as a vehicle to raise funds and awareness. It is well intentioned, but the on-screen business does not always withstand the common sense test. (Park really drops his son off on the very urban looking street around the corner from his school, without watching to see if he makes it inside okay?)

Still, Jun-seong Kim’s not-quite-retired James Kim is a genuinely compellingly angst-ridden everyman. Alexandra Chun is also entirely believable and sympathetic as the distraught mother. Although still a relatively young thesp, Lance Lim makes a strong return appearance at AAIFF, following up his solid turn in Il Cho’s accomplished short Jin with his engaging work as Cody Park.

However, for most genre fans, the main attraction in Blood will be Doug Jones (the Silver Surfer, etc), somewhat playing against type as Grierr, the acerbic but honest copper. He earns a fair number of sarcastic chuckles, which are truly appreciated, considering the film’s grim and gritty tone. In contrast, C.S. Lee’s villain is rather problematically bland.

Blood tackles some big themes, like sacrifice and redemption, while exhibiting a wider social conscience. However, Sun W. Kim’s screenplay is not good about sharing information, while keeping its cast of characters severely blinkered. Yet the film it effectively taps into some very real emotions that will keep most viewers fully vested in the outcome. Recommended for fans of Jones and dark crime dramas, Innocent Blood screens Saturday afternoon (7/26) at the Anthology Film Archives, as part of this year’s AAIFF.

LFM GRADE: B-

Posted on July 25th, 2013 at 1:06pm.