Courage in the Face of Persecution: LFM Reviews Free China: The Courage to Believe

By Joe Bendel. Odds are excellent you have many products lying about the house that were assembled by Falun Gong practitioners. The Chinese Communist Party forces millions of religious and political prisoners to serve as outright slave laborers. Many victims of the so-called Laogai work camps are in fact Falun Gong practitioners. Two such Laogai survivors tell their harrowing stories in Michael Perlman’s exposé, Free China: the Courage to Believe, which opens this Friday in New York.

Based on traditional Chinese Taoist and Buddhist beliefs, Falun Gong was not always prohibited by the Party. In the movement’s early days, many Party mouthpieces even hailed practitioners’ healthy lifestyle. However, despite the lack of an organized bureaucracy, when the estimated number of practitioners exceeded total CCP membership, the Party freaked. Despite growing adherents within the military, the government responded much in the same fashion as it did at Tiananmen Square—with extreme brutality.

Jennifer Zeng was a Party member. Dr. Charles Lee was an American citizen. Both assumed their statuses would provide some protection, yet both were condemned to the Laogai system. Soon after international activists secured his hard fought release, Dr. Lee found the very Homer Simpson slippers his work camp had manufactured in an American retailer.

While Perlman’s film primarily focuses on the Falun Gong experience, he necessarily touches on human rights abuses that apply to all faiths and prisoners of conscience oppressed by the Party, including: the Tiananmen crackdown, allegations of prison organ harvesting, and the notorious internet firewall. Frankly, one would have liked to see Perlman pull a Michael Moore on Cisco executives, whose Chinese division regarded the intrusive Communist internet policing to be a swell business opportunity.

The testimony of Zeng and Lee is simply harrowing, encompassing tremendous physical and emotional torment. Perlman also incorporates expert commentary from Rep. Chris Smith (R-NJ), probably the most principled human rights advocate in the U.S. Congress, and former Canadian MP David Kilgour, who left both the Conservative and Liberal Parties for reasons of principle.

Free China wants to end on an optimistic note, but it sadly feels like a bit of a stretch. Yes, dissident Falun Gong supporters now have the means to report to the world the human rights abuses inside China, having founded NTD TV and the Epoch Times (which I proudly contribute to, in full disclosure). Yet, the Party’s oppression continues unabated. Since the current administration has essentially mortgaged our economic future to China, those like Rep. Smith who strive to alter the Party’s abhorrent behavior will have limited leverage for the foreseeable future.

Regardless, Free China is right on target in diagnosing the problem. Indeed, it does so with commendable economy, clocking-in at just a whisker over an hour. A timely wake-up call, it should be seen by everyone who values the right to think and worship freely. Recommended especially for younger New Yorkers, who must learn to appreciate these values, Free China: the Courage to Believe opens this Friday (6/7) in New York at the Quad Cinema.

LFM GRADE: B+

Posted on June 5th, 2013 at 9:50am.

A French Fugitive: LFM Reviews The Prey

By Joe Bendel. Franck Adrien is not exactly a touchy feely kind of guy, but he’s still a better father than Will Smith in After Earth, even if he is behind bars. However, he must break out of prison to protect his family from the serial killer who recently shared his cell in Eric Valette’s The Prey, which opens this Friday in New York.

Adrien took the fall for his last heist, but not before he squirreled away the loot. He will not say where, not even when his wife Anna asks. His accomplices ask too, but not so nicely. Of course, Adrien can handle a prison beatdown. Unfortunately, he is incapable of walking away from a fight. When the guards allow a gang of toughs to administer some frontier justice to Adrien’s cellmate, he intercedes in spite of himself. This leads to a mistaken bonding moment. Unfortunately, Adrien realizes just how bad Jean-Louis Maurel truly is soon after he is released on a technicality.

Even though his sentence is nearly up, Adrien must escape for his family’s sake. Already a fugitive, Maurel raises the stakes for his Adrien by framing him for some of his past murders. The detective charged with apprehending him, the ambitious Claire Linné, has a sense that something is wrong with the picture, but all her colleagues are idiots. Adrien finds only one ally, Carrega, the obsessive ex-cop who could never make a case stick against Maurel.

As Adrien, Albert Dupontel gives one of the most hard-nosed, unabashedly masculine performances of the decade. His work has a visceral physicality that allows almost no room for verbalizing. Indeed, his character cannot even seem to growl “I didn’t do it, flic” at Linné. It’s actually quite impressive to behold. This film could never be remade with Robert Pattinson or Leonardo DiCaprio, though Heaven help him, Martin Scorsese might try anyway.

Alice Taglioni’s Linné looks pretty credible in her action sequences too, which is a cool bit of fair play. She also invests her character with refreshing intelligence and professionalism. You want her on the case, but not so much Zinedine Soualem as her dumb copper boss. Sergi López adds some nicely rumpled world weariness as Carrega. As a bonus, there is also Zen’s Caterina Murino in the rather thankless role of Anna Adrien.

Valette stages some nifty fight scenes (Adrien’s prison escape is a particular doozy) and capitalizes on some picturesque backdrops. Tightly paced, The Prey delivers gritty action with an art house luster and a distinctly French sensibility. It should well please genre fans and Francophiles alike when it opens this Friday (6/7) in New York at the AMC Empire.

LFM GRADE: B+

Posted on June 5th, 2013 at 9:49am.