Cold War Update: Special 007 Edition on Skyfall, J. Edgar, Mission Impossible, Die Hard, Hunter Killer, Tinker, Tailor & More!

Bérénice Marlohe of the new James Bond film "Skyfall."

By Jason Apuzzo. • The big news from yesterday – the 50th anniversary of Sean Connery’s original casting as James Bond – was that after endless turmoil at MGM the new 007 film Skyfall, the 23rd film in the series, has finally begun shooting. The production team held a press conference (see here and here) to mark the occasion, rolling out new Bond director Sam Mendes along with Daniel Craig and some of Skyfall’s impressive cast, which currently includes: Javier Bardem as the villain, Albert Finney, Judi Dench as M, French actress Bérénice Marlohe as the new Bond girl, Naomi Harris as a ‘field agent’ (not as Moneypenny, as some websites are erroneously reporting) and Ralph Fiennes – who, if rumors prove true, might be making an appearance as Blofeld (a great idea, if it happens).

Not much that wasn’t already rumored about the film was confirmed in the press conference, except that Mendes threw cold water on rumors that he’s somehow taking the emphasis off action in this new Bond film. Frankly, I didn’t believe those rumors in the first place, due to the tight control that the Broccoli family has always kept on the Bond series. There was no way the Broccolis were going to suddenly change their formula just for the sake of Mendes, no matter what kind of august cast he brought with him. Bond producer Michael G. Wilson (stepson to legendary Bond producer Albert Broccoli, and half-brother to Barbara Broccoli) has literally been on the set of the Bond films since Goldfinger, and has seen Bond directors come and (mostly) go, so I never believed that he was all of a sudden going to be endorsing a George Smiley-style version of Bond out of Mendes.

So with all of this talent floating around Skyfall (a good name, by the way) – and there is a lot of talent floating around this production – why am I not feeling more excited? Regular Libertas readers already know the answer to that question: my sense is that the Bond series is, once again, adrift.

As a case in point, as excited as I was about yesterday’s press conference, and about the new film’s impressive cast and great list of locations (Shanghai, Istanbul, Scotland, et al) and about seeing Bérénice Marlohe trotted out in a red dress, etc., I was distinctly bored by the official description of the storyline:

Bérénice Marlohe and Javier Bardem.

In SKYFALL, Bond’s loyalty to M is tested as her past comes back to haunt her. As MI6 comes under attack, 007 must track down and destroy the threat, no matter how personal the cost.

Does any of that sound very interesting? It certainly doesn’t to me – making the usual allowances for the producers trying to keep the description spoiler-free. But the description really should’ve read something like this:

In SKYFALL, an insane billionaire Russian video game designer, who lives in a levitating palace surrounded by genetically designed Thai supermodels, devises a first-person shooter game that mesmerizes the world’s youth into attacking Western bankers. 007 must be hauled away from a secret mission in Cozumel investigating fraud in the international lingerie market to fight this terrifying menace.

That, my friends, would be a Bond film to remember. In the very least, it’s the type of Bond film they would’ve had the good sense to make in the 1960s or 1970s, during the series’ heyday.

Aside from the one-dimensionality of Daniel Craig, part of the problem with the Bond series of late is that it just doesn’t seem very fun or cathartic anymore. The series has lost all of its cracked humor, warped characters and vaguely campy sensibility. It’s become earnest and ‘serious’ when it should be fun.

And when I think of ‘fun,’ the name ‘Sam Mendes’ – alas – isn’t the first name that comes to mind.

At the risk of sounding like a broken record, I’ll repeat here what I’ve been saying for some time: the Bond series should be handed over to Michael Bay and Michael Fassbender, or some combination of talent that can approximate what Bay and Fassbender would bring to the series: i.e., a director who can bring spectacle, sexiness and humor back to the series, and a leading man actually suited to the part, who doesn’t look and act like a baked cauliflower (i.e., Daniel Craig).

Ernst Stavro Blofeld: Ralph Fiennes' next role?

So is there anything to look forward to with respect to Skyfall? Sure. There are rumors that Ernst Stavro Blofeld may be appearing in the film (likely as the super-villain pulling Javier Bardem’s strings), which would make sense as the role Ralph Fiennes would play. I think this is the one bold stroke that might help the series a great deal, assuming Blofeld became a recurring character again.

Frankly, Blofeld has always been a much better character in the novels than in the films – with only Donald Pleasance in You Only Live Twice bringing the humor and psychotic intensity to the role that it demands. As much as I love Telly Savalas, he was horribly miscast in the role, playing Blofeld like a Long Island mafia don in On Her Majesty’s Secret Service; and Charles Gray was much too smooth and genial for the role in Diamonds are Forever. Fiennes, by contrast, has basically already been playing a variation on Blofeld in Harry Potter for years. Shave his head and put a scar on his face, and I think he’d be perfect. Here’s hoping that’s more or less what they have planned …

In the meantime, I’ll hope for the best, re: Skyfall, while other spy series (like Mission: Impossible, the Jack Ryan reboot or the forthcoming Man from U.N.C.L.E.) compete for my attention. You can watch the entire Skyfall press conference here, and you can see some good photos from the event here.

Continue reading Cold War Update: Special 007 Edition on Skyfall, J. Edgar, Mission Impossible, Die Hard, Hunter Killer, Tinker, Tailor & More!

Afghanistan in the Spotlight: LFM Reviews George Gittoes’ The Miscreants of Taliwood

By Joe Bendel. If the Taliban mullahs want to call you something heavy, they will probably label you a “miscreant” (a villainous heretic). Unfortunately, for entertainment-starved Pakistanis, just about everyone involved in artistic endeavors is automatically considered a “miscreant,” most definitely including actors and filmmakers. Ironically though, the cottage Pashto film industry was largely based in the Taliban stronghold of Peshawar, which is where Australian filmmaker-artist George Gittoes took his camera for an up-close and personal look at militant intolerance in The Miscreants of Taliwood (see a 6-minute preview above), which screens during Anthology Film Archives’s upcoming retrospective of Gittoes gonzo-ish filmmaking.

If truth be told, Gittoes was probably fortunate to live through the first thirty seconds of Miscreants. Fortunately, he was only roughed up a bit while filming Islamists building a bonfire of CDs and DVDs in Islamabad, a city that Gittoes reminds viewers contains nuclear weapons. However, as Gittoes pursues his story, he becomes increasingly a part of his own film, at considerably further risk to his own well being.

While it is ordinarily annoying to see filmmakers inject themselves into their own documentaries, Gittoes was hardly motivated by self-aggrandizement. To gain access to the world of Pashto filmmaking, he became an actor himself, forming a fast friendship with his co-star Javed Musazai. When the Taliban terrorized Taliwood into submission, Gittoes financed two films on his own in order to keep the documentary going. Though hardly well-heeled, Gittoes is able to scrape together seven grand, sufficient funds for two Pashto films.

George Gittoes & Javed Musazai in "The Miscreants of Taliwood."

Continue reading Afghanistan in the Spotlight: LFM Reviews George Gittoes’ The Miscreants of Taliwood

Afghanistan in the Spotlight: LFM Reviews George Gittoes’ Love City Trilogy

Filmmaker George Gittoes.

By Joe Bendel. Pashto cinema has an unlikely godfather: an Australian graphic artist and documentary filmmaker, who seems more at home in a war zone than walking the red carpet. To get inside the oppressed Pashto film industry, George Gittoes financed his own Pashto films. The results, as seen in The Miscreants of Taliwood, look rather awful, but they were just a start. Perhaps mindful of previous lost opportunities, Gittoes and an entirely Afghan cast and crew produced an interconnected trilogy of films that directly address issues of gender roles, religious intolerance, and political corruption. They are also love stories. A significant cultural accomplishment (if not necessarily high art), the Love City trilogy has its American premiere this weekend as part of the Anthology Film Archives’ Gittoes retrospective.

If (like myself) you have not seen the first film, also titled Love City, not to worry. Gittoes essentially shotguns the gist of it into the first five minutes of Talk Show. Basically, it is Romeo & Juliet with a happy ending. A young filmmaker falls in love with Jasmin, the daughter of a former mujahedin who happens to own Love City, a Jalalabad wedding hall, but he opposes their love match. Eventually true love wins out, but this is the exception rather than the rule in Afghanistan.

In the second film, Talk Show, the focus shifts to Jasmin’s older sister Asma, who is studying in Peshawar with her Afghan-American friend Ghuty. Unfortunately they are kidnapped by Taliban terrorists while returning home from the wedding. Enlisting the help of Karim, a reputedly mobbed-up restaurateur, her father orchestrates their rescue. Unfortunately Asma falls for Karim in the process, forgetting about cousin Ikram, who has long carried a torch for her. Of course, getting involved with the wrong sort of man is exponentially worse in Afghanistan. However, Asma is not without her own resources. As the host of a groundbreaking issue-oriented talk show, she has a forum to challenge the caddish and corrupt Karim. Continue reading Afghanistan in the Spotlight: LFM Reviews George Gittoes’ Love City Trilogy