NBC Developing The Infidel as a TV Series

By Govindini Murty. One of the reasons we champion independent film here at Libertas is because of the crucial role it plays in incubating talent. One of the first indie films we talked about when we launched Libertas Film Magazine was The Infidel, a quirky little British comedy that screened at the Tribeca Film Festival in the spring of 2010. The Infidel tells the hilarious story of a middle-aged Muslim man, Mahmud, who finds out that he was actually born Jewish – at the very same time that he also discovers that his son is about to marry into the family of a radical Islamic cleric.

One of the reasons we liked the film so much was because of the lead performance of Omid Djalili, the Iranian-British comic who plays the hapless Mahmud. You can read Jason’s review of The Infidel here, and you can see a number of Djalili’s hilariously un-PC comedy skits on YouTube. One of my favorite Djalili skits is “Arabs at the airport” (Djalili describes getting freaked out when he sees Arabs at the airport), and I also like his satires of immigrant Iranian life – they remind me of the earthy and very funny ethnic humor of Nia Vardalos’ My Big Fat Greek Wedding. Check out Djalili’s “Iranian in UK,” a satire of Sting’s “Englishman in New York.”

Now Deadline Hollywood reports that NBC is developing a TV series to be based on The Infidel. The series would star Djalili, who would also produce the show with his wife. This seems like a timely idea to me. A comic of Iranian descent succeeding in mainstream American TV while satirizing radical Islamist mores would send a great message to the rest of the world – one that advocates for moderation over extremism in the Muslim community. It would also be a rebuke to the repressive Iranian regime, which, as we’ve documented numerous times here, jails and abuses it own leading filmmakers and film artists in one of the most anti-art dictatorships on earth.

Finally, a TV series based on The Infidel is a good idea because it would also just be funny. I don’t find a lot of today’s comics very amusing, but Djalili is one of the few who seems to have a natural ability to make people laugh based on character and timing – not just gross-out jokes. This is a great thing, whether or not it leads to world peace and understanding. I hope the NBC series stays true to the courageous, un-PC spirit of the original film. I find the Brits are a lot braver in their satire than Americans, and I truly hope that NBC doesn’t water down the comedy of the original Infidel or reverse its message. Check out the trailer for The Infidel above and I think you’ll see why we welcome this becoming a TV series.

Posted on October 26th, 2011 at 7:51pm.

India Cranks the CGI: LFM Reviews RA.ONE

By Joe Bendel. Two video game characters will continue their epic struggle of good versus evil in the real world. At least one of them also sings and dances. It’s not the super-villain. Combining Bollywood style musical numbers with Terminator and Tron inspired science fiction motifs, Anubhav Sinha’s RA.ONE (trailer here) opens today in New York after already setting box-office presales records in India (a feat that should stand for at least another month, possibly six weeks).

Shekhar Subramanium is a game designer with a bratty son who prefers villains to heroes. For his birthday, Subramanium obliges him with RA.ONE, the monstrous bad guy more powerful than G.ONE, the good guy in his latest cyber-VR game, modeled on its creator. Lucifer, as the kid dubbed himself in gaming circles, is delighted, kicking RA.ONE’s tail in the game’s first round. However, when Lucifer is pulled away before RA.ONE has a chance for payback in the virtual world, the dark lord decides to go get him some in the real world.

While the film pretends to present a scientifically plausible explanation for RA.ONE and then G.ONE making the big Matrix leap to reality, it is really all just hocus pocus. Yes, there are ample science fiction elements, but the film also diligently hits all the traditional Bollywood and Tamil bases. A father dying before his son can tell him he loves him? Check. Flashbacks in the rain? Check. Redemption arriving by way of a surrogate father figure? Maybe, just maybe.

Though at first just a shortening of “Random Access One,” RA.ONE became a digital reboot of Ravana, the Hindu demon king, during Subramanium’s game development process. Similarly, G.ONE became a derivation of the Hindi word for life. That’s about as Joseph Campbell as the film gets, but there are some cool musical numbers. Continue reading India Cranks the CGI: LFM Reviews RA.ONE