Month: March 2011

Classic Cinema Obsession: HUMAN DESIRE (Fritz Lang, 1954)

By Jennifer Baldwin. This is about Film Noir, so here’s a flashback …

I went through a bit of a Glenn Ford/Gloria Grahame/THE BIG HEAT phase several years ago. I became obsessed with the movie and those two actors. I was like a junky, watching the movie over and over, memorizing lines, musing over the themes, showing the famous boiling coffee scene to anyone who would watch.

But eventually, no matter how much I loved THE BIG HEAT, it couldn’t withstand the over-obsession. I needed a new drug. I needed something else to give me that Glenn and Gloria fix.

Then I read about HUMAN DESIRE. It was made after THE BIG HEAT, starring Ford and Grahame, another scalding-hot 1950s noir directed by Fritz Lang. As soon as I found out about it, I had to have it. Only problem: it wasn’t on DVD. You couldn’t buy it in the store. It was as good as gone for someone like me out in the Michigan suburbs, with not a repertoire theater in sight.

I went into the shadows. I spent many a midnight hour searching the internet for a copy of the movie. I was bleary-eyed and half crazed with want. And then I found it. One of those online trading post/auction sites. Eight bucks plus shipping and handling and HUMAN DESIRE could be mine. It was someone’s homemade DVD copy, complete with fuzzy picture and bad sound, but buying it made me feel like I was the protagonist in my own film noir, swapping cash with some anonymous stranger on the black market for a “treasure” that was worn out and almost worthless.

But it was worth everything to me. I watched HUMAN DESIRE and loved it more than I had loved THE BIG HEAT. I don’t know if I loved it so much because it took all that effort to finally get a copy, or if I genuinely loved the movie more, but HUMAN DESIRE became one of my secret movie treasures.

Now it’s out on DVD, an official release from Columbia Pictures, with pristine picture and remastered sound, and I still think that it’s tops. I think it’s Gloria Grahame’s masterpiece. I think it’s misunderstood. I think Glenn Ford’s character is the real villain and that far from having a “happy” ending, it has one of the bleakest, most cynical endings in all of noir.

The misinterpretation of the film stems from the assumption that Grahame’s character is a traditional “femme fatale” evil woman type. She’s Gloria Grahame, after all, and she wants Glenn Ford to commit murder for her. But I couldn’t just slot her into the femme fatale role that easily. She might have murder in her heart, but it didn’t come there lightly. Continue reading Classic Cinema Obsession: HUMAN DESIRE (Fritz Lang, 1954)

LFM Review: The Neighbor

From "The Neighbor."

By Joe Bendel. The tragic events still unfolding in Japan even had repercussions at a screening of a Farsi-language feature at a Canadian film festival here in New York City. The producer Amir Naderi, who emigrated from Iran after several of his films were banned by the Islamist government, was in Japan working on his next project when the earthquake and tsunami hit. Clearly he was on the mind of his former editor Naghmeh Shirkhan this past weekend, despite the justly enthusiast reception for her directorial debut, The Neighbor (see the trailer below), at MoMA’s 2011 Canadian Front.

Though of somewhat middle-aged years, Shirin is still a strikingly beautiful woman. She is not particularly interested in men though, particularly the one she has been reluctantly seeing. In truth, there are not a lot of eligible men in Vancouver’s Iranian community. There are not a lot of men, period, and there is a very real phenomenon causing this demographic state. Frequently Iranian men working abroad who are called back on business or personal matters have trouble returning—or so they say. Such is the case for Leila, the attractive young woman who just moved in across the hall from Shirin with her little girl Parisa.

At first, Leila wants nothing to do with the older woman. In time though, she starts exploiting Shirin as an emergency babysitter, much to her concern. It is not that Shirin does not enjoy spending time with Parisa—quite the contrary—but Leila’s erratic parenting is obviously not healthy for her little girl. Continue reading LFM Review: The Neighbor

Provocative New Trailer for The Kennedys; Series Debuts April 3rd

By Jason Apuzzo. A very provocative new trailer is out for The Kennedys, the new eight-part miniseries from 24‘s Joel Surnow that will be appearing on the ReelzChannel beginning April 3rd. I would normally wait to put this trailer in a Cold War Update!, but since I just did one of those on Friday I didn’t want you folks to have to wait.

From "The Kennedys."

The series looks like a lot of frothy fun, and I’m looking forward to it. I’m also understanding why the major networks were so aghast by this series; this is most certainly not the sort of depiction of the Kennedy family we’re accustomed to seeing on TV. Besides potentially out-sexing Mad Men, the series also seems to make Joe Kennedy look like Chancellor Palpatine.

Joel did an interview recently with the LA Times in which he talked about the pressures he thinks the series was under from higher-ups at The History Channel, the series’ original home. We all know what those pressure were, don’t we? Thou Shalt Not Offend the Kennedys, liberalism’s Holy Family. Frankly, you’d think the Kennedys would be glad anyone even remembers them, at this point. Decades of Teddy in the Senate took a lot of lustre off that family’s image, and memories of Camelot are growing old, indeed.

My sense is that the ReelzChannel got themselves a bargain with this series – which may end up putting that channel on the map. I would also expect this series to do excellent DVD business, and potentially revive pill box hats.

Posted on March 21st, 2011 at 11:15am.

LFM Review: Limitless, Produced with 20% Brain Functionality

By Joe Bendel. What happened to Obama? So ruthlessly effective on the campaign trail, these days he can hardly chose an iron for his approach shots. Maybe he ran out of NZT. A designer drug formulated to tap into the supposed 80% of the brain lying dormant in mere mortals (a myth says Snopes), NZT offers life changing opportunities to one sad sack would-be writer, but it also comes with a mess of trouble in Neil Burger’s Limitless, which took the top spot in this weekend’s box office.

Eddie Morra is a listless under-achiever. His girlfriend Lindy has finally given him the dumping he so richly deserved. Despondent, he mopes around the City until he bumps into his ex-brother-in-law Vernon (no, Lindy is not the first woman to issue Morra his walking papers.). Recognizing his former whatever is a bit glum, Vernon gives him a blue Matrix pill, which the big dummy takes for no good reason. Suddenly, Morra can talk his landlord’s wife into bed, dash off her law school paper on Oliver Wendell Holmes, and then churn out his own novel before calling it a night.

Unfortunately, he wakes up as the same old idiot in the morning, which prompts an emergency visit to his dear old ex-brother-in-law. For some reason, the shadowy cabal developing NZT has entrusted its distribution to a pusher leftover from the glory days of Studio 54. Of course, Vernon’s carelessness gets him killed, but Morra gets his stash. Fueled by smarty-pants pills, Morra takes Wall Street by storm, even attracting the attention of Robert De Niro’s shadowy financier, Thurston W. Focker-Gekko, III, or some such.

Morra might be amped on brainiac drugs, but in Limitless’s world any IQ cracking 100 constitutes genius levels. You would think anyone borrowing money from a loan shark for a quick succession of day trades would make a point of paying that off as soon as possible. Not if you’re a genius, evidently. It would have saved so much trouble, though. Continue reading LFM Review: Limitless, Produced with 20% Brain Functionality

Cold War Update: More on Red Dawn, X-Men, Apollo 18 & The Kennedys!

The Cold War freezes over in "X-Men: First Class."

By Jason Apuzzo. • Libertas made news yesterday with our exclusive first look at the ‘uncensored’ version of MGM’s new Red Dawn remake. It’s conceivable that our review will be the only look at that film anybody’s going to get – which would be astonishing, but there it is. You can thank MGM’s new masters for that.

However, I wanted to follow up today by noting that MGM’s decision to alter the film – and digitally remake the villains into North Koreans – has been received poorly just about everywhere. The reason for this is obvious: there is absolutely no narrative reason to re-cut the film along such lines except to satisfy China’s market gatekeepers. There is certainly no real-world reason to depict such an invasion as being spearheaded by an impoverished prison-state like North Korea, particularly when the basic premise of the film is supposed to be our financial ‘indebtedness’ to the invaders. The last time I checked, we’re not indebted to North Korea.

The current spin we’re hearing behind the scenes is that the film is being re-cut to now depict the invading force as a ‘communist coalition,’ an undefined ‘red menace’ of nations, with the North Koreans featured prominently. What nobody seems to be asking is what such a coalition would be worth without the sponsorship of China. Or are they expecting Transnistria to do the heavy lifting here? Or maybe Vietnam?

Sensing how badly this is all going over, one of Red Dawn‘s producers, Tripp Vinson, gave a somewhat peculiar interview to Aint It Cool News yesterday. Here’s part of what Vinson said: Continue reading Cold War Update: More on Red Dawn, X-Men, Apollo 18 & The Kennedys!

LFM Review: Gift to Stalin

By Joe Bendel. One of the scarier aspects of Stalin’s reign of terror was the effectiveness of his cult of personality. His image was omnipresent, investing his iron-fisted rule with a secular idolatry which brooked no criticism. In fact, reverence for the dictator was so deeply ingrained in the Soviet people, many of those who suffered personal persecution under his regime reportedly still wept when news of Stalin’s death was released to the public. That emotional dichotomy is sensitively dramatized in Rustem Abdrashev’s The Gift to Stalin, which finally opens theatrically in New York after an extended festival run. Continue reading LFM Review: Gift to Stalin