Star Wars in 3D, Wall Street 2′s ‘Right Wing Appeal,’ Reluctant Communists + Hollywood Round-up, 9/29

By Jason Apuzzo. • The big news today is Lucasfilm’s announcement that the entire, 6-film Star Wars saga is going to be retrofit into 3D, and that the films will be released in series order (i.e., Episode I-VI) starting in 2012. This is fabulous news in my opinion, albeit not surprising. 2012 will mark the 35th anniversary of the original film, and George Lucas has been hinting for years that something like this was in the works.

This announcement will, of course, occasion a lot of uniformed pontificating about some of the bad 3D retrofits that have been released in the wake of Avatar. Two obvious factors mitigate such concerns here: 1) Lucas and his team have about 18 months until the first film is released, giving them a great deal more time than usual to do a high-quality retrofit – as opposed to the rush-jobs we’ve become accustomed to from this past summer; 2) Lucasfilm boasts the best technical staff in the industry, so we can assume the presentation will be state-of-the-art.

The Death Star trench run - soon in 3D.

Just for fun, I’ve put up a Star Wars student fan short (see above) I caught recently that was done in 3D. It was the winner of the “Best Animation” award from the recent Star Wars Fan Film Movie Challenge, sponsored by Lucasfilm. You’ll need your anaglyphic red/blue glasses for this one. [Make sure to get those, by the way, because I’d like to start showing more 3D stuff here at Libertas in the future.] Enjoy!

Incidentally, this means that the forthcoming Star Wars Blu-rays will subsequently need to be re-issued in 3D. They don’t call George a genius for nothing.

• In related 3D news, there’s a rumor circulating that Warner Brothers is pressuring Christopher Nolan to shoot the next Batman film in 3D – and also that Inception may get a 3D retrofit after all. Take that rumor for what it’s worth. Personally I doubt this story, because Nolan is currently The Man over at Warner Brothers, in the wake of Inception and his supervision of the Superman reboot. I would add that the vibe of the Batman series is more old-school retro/noir (largely contrary to the spirit of 3D) – although Nolan did shoot parts of The Dark Knight in IMAX, and he’s obviously fascinated with new technologies. As for Inception, there’s no point in doing a retrofit now anyway because it’s too soon for a re-release and there are too few home systems out there set up for 3D viewing.

• This really cracks me up. Yesterday it was The New York Times; now today it’s The LA Times noticing that Oliver Stone’s Wall Street 2 has ‘right wing appeal.’ Check this out below from film columnist Steven Zeitchik’s piece in the Times today:

For all the Wall Street excess that Stone’s new film depicts, the movie (spoiler alert — skip ahead to the next paragraph if you’d rather not know) in many ways offers a benign, even uplifting message about the Street. Sure, the fevered speculation drives one old-timer to take his life. But the movie ultimately tells the story of a young idealist — and one who gets the money and the girl to boot.

Even one of moviedom’s all-time unrepentant characters, the Wall Street sharpie Gordon Gekko, seeks, and (after a lapse) gains, redemption. Compared to the original, which sees said sharpie sent off to jail, this chapter of his story is  almost.. heartwarming. Big business and the financial industry may have a deep skepticism for the current Democratic administration. But there’s little for them to dislike in a movie about them from the most outspoken of left-wing filmmakers.

This is why you need to read Libertas folks – we’re prescient here. What’s funny is that later in the article Zeitchik darkly intimates that Stone made such a “benign, even uplifting” film for crass commercial purposes – i.e., to sell out and make a buck! Unreal. Not even Oliver Stone can get his films cleared these days by the People’s Truth Commissions over at the NY and LA Times.

The bold designs of the new "Tron."

Brett Ratner has just taken on Charles Robert Jenkins’ memoir The Reluctant Communist as his next project. This is great news, because this book is apparently one of the most harrowing accounts of life in communist North Korea that’s ever been written. The book deals with Charles Jenkins’ booze-driven defection as a U.S. Army sergeant to North Korea in 1965, a nation he would later refer to as “a giant, demented prison.” Jenkins would remain in North Korea for the next four decades – used by the communist regime as a propaganda prop – until the Japanese eventually arranged for his release. I think it’s very encouraging that Ratner is taking on this complex and interesting project, and we’ll keep an eye on how it develops.

• In other industry news and notes: Arthur Penn – director of Bonnie and Clyde and other classics – has died at age 88Bonnie and Clyde, of course, really opened things up for the New Hollywood generation. Our condolences to Penn’s family.

• In the wake of Tim Burton’s success with Alice in Wonderland, suddenly now Snow White, Sleeping Beauty, Cinderella and Little Red Riding Hood are hot properties again. Go figure. Also: Mad Men’s Jared Harris has been cast as Moriarty in Sherlock Holmes 2, and Mad Men’s Vincent Kartheiser has been cast in DJ Caruso’s forthcoming sci-fi flick that was being called I’m.mortal until somebody figured out how bad that title looks on a marquee. And finally: the producers of The Infidel (which we loved here at Libertas) will next be doing an adaptation of Alfred Hitchcock’s Strangers on a Train, featuring teens in the lead roles.

Olga Kurylenko.

• On the Sci-Fi Front, there’s an interesting piece over at the LA Times today featuring concept art for Tron: Legacy, plus there’s a fantastic clip of one of the light-bike sequences. Look, I’ve already expressed my concerns about this project – I won’t repeat them here. But there’s no question that this film is going to look fabulous. In other news, the first trailer is out for the new teen alien invasion pic I Am Number 4. The trailer didn’t do anything for me – it just looks like yet another movie featuring teens with ‘special powers.’ Yawn. Here’s the ‘special power’ I wish most teens had today: an ability to read. In other news, the Iron Man 2 DVD is out, and James Cameron is now helping “aboriginal communities with legal action against the Alberta and Canadian governments to stop water-borne pollution from the oilsands.” I’m laughing here because you’ve got to be wondering what Fox is thinking at this point about that Avatar 2 start date …

• Do you recall Jessica Alba’s pseudo-nude shower scene in Machete? Of course you don’t, because you didn’t bother to see that film. Well, we learn today that Alba wasn’t actually nude in the scene when they shot it – she was apparently ‘digitally undressed’ in post! Forget 3D, this is the most promising development in digital technology yet! Imagine the possibilities. By the way, if you click over to this news piece – which 90% of our male readers will – you’ll notice that Alba also lost a little weight once the digital artists were through. So we have the perfect situation here: you ladies don’t need to take your clothes off on set, plus you get to lose a few pounds in the process. And everybody’s happy!

• AND IN TODAY’S MOST IMPORTANT NEWS … some set photos just came out from Terrence Malick’s untitled new romance project starring Ben Affleck and Olga Kurylenko. The photos are a little bland, so I thought I’d feature something more fun with Ms. Kurylenko (see above) – in the mode of a Russian superspy, let’s say. Because we can’t get enough of Russian superspies here at Libertas – particularly when they’re in high heels.

And that’s what’s happening today in the wonderful world of Hollywood.

Posted on September 29th, 2010 at 3:28pm.

Disney Markets Secretariat to Christians; Film Features Fred Thompson + Wink-Wink/Nudge-Nudge Right Wing Messages

By Jason Apuzzo. The Hollywood Reporter has a big article out today about how Disney and director Randall Wallace (We Were Soldiers, screenwriter on Braveheart) are doing a big marketing push to Christians on behalf of the forthcoming family-friendly feature Secretariat, somewhat similar to what was done for Sandra Bullock’s The Blind Side.

The article reveals some interesting details about the film that I’ve excerpted below:

“Secretariat” doesn’t shy away from politics — portraying conservatives and liberals honorably — and embraces Christian themes also are reminiscent of “Blind Side.” …

“Secretariat” even opens with a lengthy quote from the Bible, a portion of God’s speech to Job. A trailer that includes those lines is on Christian websites all over the Internet, and some of those sites contain the earliest reviews of the film and offer users a chance to see advanced screenings. The Bible quote is “transcendent,” Wallace told The Hollywood Reporter. “I wanted to capture that timelessness and majesty. The idea that courage prevails.”

At a screening for a group called Catholic Media Review that included remarks from Wallace, the invitation boasted, “Not only is Randall one of the most successful directors of all time, he is also a devout Christian.” A film reviewer there “highly recommended” the film to readers and noted “a definite subtext of faith which is as rare these days as it is welcome.” That subtext includes a dramatic singing of “Oh Happy Day! When Jesus Walked” at the movie’s climax, and horse groom Eddie Sweat (Nelsan Ellis) speaks reverently of God’s plan and being “lifted up.” …

“Blind Side” was the true story of an essentially homeless teenager adopted by a conservative Christian couple. Although the politics in “Secretariat” are less central to the story, they’re not ignored. Except for the eldest daughter, the [Penny] Chenery family members [owners of Secretariat] were political conservatives during the early 1970s, when the movie takes place. Chenery’s husband (Dylan Walsh) is portrayed as the obvious right-winger who isn’t thrilled with his wife’s decision to pull double duty after she inherits her father’s horse ranch, nor is he happy about his hippie daughter’s embrace of all that “commie crap” she’s getting from anti-Vietnam War protesters. His values are portrayed as old-fashioned, but they’re not belittled.

Politicos on the right side of the aisle no doubt also will appreciate the appearance of former Republican Sen. Fred Thompson in a good-guy role as well as the film’s statement against large inheritance taxes, portrayed as a looming threat that could derail the protagonist’s heroic efforts. One particularly political though short scene has the dad explaining to his children the concept of there being a cost to freedom. Wallace said Chenery, who makes a cameo appearance in the film, was “deeply satisfied” with the way he dealt with politics in the film.

You get the drift. Secretariat will be released October 8th.

Posted on September 29th, 2010 at 9:31am.

LFM Review: Silent Souls

By Joe Bendel. Russia might not be the most hospitable of homes for its ethnic minorities, but the simple forces of time and assimilation are far more responsible for the waning cultural identity and appreciation of the Merja Russians, ethnic cousins of the Finns. However, one Merjan writer’s efforts to preserve his cultural heritage takes him on a fateful road trip with his grieving boss in Aleksei Fedorchenko’s Silent Souls, which just screened at The New York Film Festival.

Though much traditional Merjan culture has faded from everyday memory, Miron knows his friend Aist is fully versed in their people’s traditional funereal rituals. The son of a well regarded Merja poet-laborer, Aist researches and records nearly forgotten Merjan lore as a private passion. More Nordic than Slavic, Aist is not a talkative man, but he will provide Silent’s narration. Indeed the rough hewn character of his (or actor Igor Sergeyev’s) voice makes him one of the most effective narrators heard on film in recent memory, even when subtitled.

From Aleksei Fedorchenko's "Silent Souls."

Miron and Aist will drive across the frozen west central Russian landscape to Lake Nero, the site of his honeymoon with his much younger, yet now tragically dearly departed wife Tanya. There they will build her funeral pyre in much the same manner the Norsemen did millennia ago. For company, they have themselves, their memories, and two caged buntings Aist recently purchased. Those birds are not just for show. Like everything else in Silent they might appear to be a causal impulse buy, but their significance will become apparent later.

Though relatively unheralded among NYFF selections, Silent is one of the strongest films of the festival. Elegiac in multiple ways, it is a powerful meditation on the death of an individual and the protracted demise of a culture, without ever becoming heavy-handed. While it is deliberately paced, it actually gets someplace, both geographically and cinematically.

Throughout Fedorchenko displays a deft touch. Though his symbolism is inescapable, it is always accessible rather than pretentious or obtuse. While in lesser hands, Silent’s ending might have been problematic, Fedorchenko’s methodical groundwork makes it feel logical and fitting, without outright telegraphing it clumsily. Fedorchenko and cinematographer Mikhail Krichman also take full advantage of the evocative landscape, presenting some striking winter vistas.

Whether it is engaging in salty talk with Miron or ruminating on what it means to be Merjan, Sergeyev brings a remarkable naturalness and genuine gravitas to the film as the protagonist-narrator. It is the sort of accomplished work that is often unfairly overlooked due to its lack of affectation.

Though it requires viewers’ full attention, there is great depth beneath Silent’s austerely chilly surface. An excellent film featuring a great lead performance, it is one of the unexpected highlights of the 2010 NYFF.  It screened Tuesday (9/28) at the Walter Reade Theater.

Posted on September 29th, 2010 at 9:08am.