Day: September 2, 2010

Hollywood Round-up, 9/3

By Jason Apuzzo. • Can the theocrats in Iran possibly be any more obnoxious? It’s bad enough that Iran is blocking Jafar Panahi from attending the Venice Film Festival, but now a hard-line Iranian newspaper is calling Carla Bruni a “prostitute,” because she had the audacity to condemn a stoning sentence against an Iranian woman convicted of adultery. This paper later asserted that Bruni should herself be stoned. What pigs.

I hope you boys in Iran enjoy this picture I found above of France’s First Lady. I tried to find something smoky, sinful-Western-decadent, and sharia non-compliant … just for you! Pull up a bowl of pistachios for yourself and check out what we get to enjoy here in the West, while you boys gawk at black robes all day.

By the way, it would be wonderful if our own First Lady showed the slightest interest in these matters – you know, human rights abuses against women – while she’s busy during her frantic vacation schedule.

"Mad Men" stars on the cover of Rolling Stone.

• Mad Men is on the cover of Rolling Stone right now. Yowza! Couldn’t resist.

• We’re now learning that the Discovery Channel gunman was apparently a radical environmentalist who experienced an ‘‘awakening” after he watched An Inconvenient Truth – how genuinely inconvenient. This would also seem to imply that he actually stayed ‘awake’ during the film. No wonder he went crazy. [Did he make it through Avatar, too?]

Based on what I’ve read about this guy (he apparently thought that human beings needed to be exterminated from the Earth, in order to make room for the animals), it’s surprising to me that he would’ve been so disgruntled about cable programming these days. Didn’t he see Life After People ?

I know it’s tragic that this person has lost his life – and I apologize if I seem insensitive here – but I’m allowed to be completely unsurprised, and downright cynical, about the fact that our entertainment industry is actually instilling psychosis in our citizens, implanting lies about humanity (that we’re a curse to our planet, etc.) that are now bearing an awful fruit. You might call this process ‘inception,’ so to speak.

Talulah Riley of "Transmission."

• Variety just did a feature on Mao’s Last Dancer, and the incredible challenges of shooting that film in China. Still waiting for Fox News to do feature story #1 on this film. Anybody awake over there?

• On the sci-fi front, you really didn’t think there could be another alien invasion film greenlit, did you? Well, you’d be wrong, because we have another, called Transmission. This time it’s “a British sci-fi feature being shot in 3D and centered around an alien invasion during an solar eclipse,” with the film being described as “Pitch Black meets 28 Days Later.” Proposed cast: Bob Hoskins, Jason Flemying, Talulah Riley, Willem Dafoe. So here we go again. Why the aliens would bother to wait for a solar eclipse is anybody’s guess – but at least this film they’ll be shooting natively in 3D, as opposed to post-converting it. With respect to Ms. Riley’s presence in the film (see right), the 3D approach certainly seems like a good idea.

In related news, there are some new set photos out of Rihanna in Battleship; and we’ve also got some new Tron: Legacy posters out today.

• Apple is re-booting Apple TV, and is now going to be streaming TV shows through iTunes. Everyone seems to be underwhelmed by this news. I think the problem here is that everyone is looking for the 1 great app that will unify all digital content consumption (TV, phone, web, DVDs, etc.) and that’s never going to happen. We’re just going to keep getting these little advancements until someone invents a Brain Chip. I assume Google is working on that.

• Perfect irony: Variety reports that an Indian (south Asian) production team will be doing a $30 million biopic of Christ; meanwhile, back in Hollywood, 3 TV networks are fighting over a series to be titled Good Christian Bitches. [Sigh.] I couldn’t make this stuff up if I tried. On a somewhat related noted, a new survey suggests that moviegoers by and large are still willing to watch Mel Gibson in movies. I am too – in old ones, that is.

• AND IN TODAY’S MOST IMPORTANT NEWS … we thought we’d take a look at British star Talulah Riley (see above), who will apparently be battling alien invaders (who isn’t these days?) in the forthcoming British thriller, Transmission. Let’s hope she’s up to it – she may have to quit smoking, first.

And that’s what’s happening today in the wonderful world of Hollywood.

Posted on September 2nd, 2010 at 5:22pm.

Even the Russians Can Make a Movie About Their Afghan War – But We Can’t Make One About Our Own

By Jason Apuzzo. The ironies on display here are too much. Recently I came across this award-winning Russian film called 9th Company, which is essentially about the late stages of the Russian war in Afghanistan. You can watch the trailer for the film above; the film’s just coming to DVD and Blu-ray right now, although it actually dates from 2005.

The Russian invasion of Afghanistan was a brutal and sadistic affair all the way around. What’s so striking to me, though, is that even the Russians have apparently been able to muster sufficient national pride in the valor of their soldiers to make this relatively large-scale film about their experiences in Afghanistan.

And what do we get here in America from Hollywood about our own Afghan war? The ostensibly ‘just’ war (in contrast to Iraq, so the story goes)? We get nothing.

As I mentioned in my recent post on the new Aussie film Tomorrow When the War Began, the climate here in the United States for freedom-oriented filmmaking is really lousy. Here we have a situation in which the biggest DVD release of a war film set in Afghanistan is being provided to us by the Russians. Perhaps we should import some of their politicians, while we’re at it. I’m no longer sure it would make much difference.

And by the way, you know how I found out about this film? They were advertising on Harry Knowles’ site(!). What a country we’re living in.

Posted on September 2nd, 2010 at 1:38pm.

Michelle Rodriguez on Machete: “a symbol of hope … kind of the way we felt about Obama.”

Michelle Rodriguez in "Machete."

By Jason Apuzzo. Here’s Machete’s Michelle Rodriguez today, speaking to the LA Times:

“I was nervous about doing a movie about Latinos. I’ve usually stayed away from it,” she told 24 Frames, saying she found most depictions of Latino culture on the big screen to be one-note and marginal. “But after I read the script, I realized this is about a symbol of hope. It was kind of the way we felt about Obama when he was first elected …”

The depiction of Machete as a symbol of hope for a Latino community, at a time when, as the movie noted satirically, immigration fears were running riot, heartened Rodriguez. And to the extent it shows Latinos and whites working together, she says, it felt even more ideological.

“It was like seeing Run DMC and Aerosmith doing that video together,” she said, referring to “Walk This Way.” “It was like, ‘Yeah, man, we can all do this together and laugh about it.’ “

All do what together? Incite a race war?

Robert Rodriguez, by the way, apparently wants to do a trilogy of these films. I’ll be telling you what I think of the first one tomorrow.

Posted on September 2nd, 2010 at 12:00pm.

China’s Great Migration: Last Train Home

By Joe Bendel.  Whether you consider it an unintentional disconnect stemming from China’s rapid industrialization or outright hypocrisy, the chasm between official rhetoric and reality is wide and stark in the Communist People’s Republic of China.  It might be go-go times in the big coastal commercial centers, but the rural areas are desperately poor.  An estimated 130 million migrant workers leave for those cities, working long hours for exploitative wages. They only make one annual return home for the traditional New Year holiday. Considered the world’s largest migration of people, documentarian Lixin Fan examines the taxing ritual through the eyes of one struggling Chinese family in Last Train Home, which opened Friday in select theaters nationwide.

Zhang Changhua and Chen Suqin are second class citizens, veritable illegal aliens within their own countries. Under the government’s restrictive residency laws, they have few formal rights and no access to social services outside their home district. Yet, they have had little choice but to seek work in China’s teeming urban centers. As a result, they have rarely seen the pre-teen daughter and young son they left to be raised by their grandmother.

Mother-daughter relationships can be difficult even under easier circumstances, but the three years Chen and her daughter Zhang Qin have been separated are taking a toll. Yet Chen cannot entirely blame her for feeling abandoned, even while lamenting that she has not been a good mother.  Unfortunately, the resentful daughter spitefully drops out of school, becoming a migrant worker herself. It is a bitter turn of events for her parents, who now must face the possibility that many of their sacrifices will have been for naught. They also know only too well the rough education she is in for, especially when navigating the yearly mass exodus.

Sharing an obvious stylistic affinity with the Digital Generation of independent Chinese filmmakers, Chinese-Canadian director Lixin Fan is not afraid of holding long, quiet shots. However, he captured some uncomfortably intimate family drama, while conscientiously refraining from adding outside commentary.  Clearly, the filmmaker built up a large reservoir of trust with his subjects. In return, he lets them speak for themselves in their own words, unfiltered and unhurried.

Train is a very personal film, but it is hard to miss the underlying point that approximately 130 million more migrant Chinese workers currently endure similar conditions. Ironically, China’s peasants used to be the PRC’s politically privileged class, but now the laws are rigged against them.

Should digital auteur Jia Zhangke ever remake John Hughes’ Planes, Trains, and Automobiles, it would probably look a lot like this.  An unvarnished exercise in cinema vérité that takes on tragic dimensions, Train is a pointed corrective to the uncritical media coverage the Chinese government carefully cultivates. It is all the more difficult to shake, since it is not at all clear everything will ultimately work out alright for the Zhang family. Indeed, such is the nature of life.  Uncompromising but deeply humanistic, Train opened last week in select theaters nationwide.

Posted on September 2nd, 2010 at 9:53am.